Why ‘You’ Is One of the Most Difficult Words to Translate

filed under: language, video
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YouTube // TED-Ed

Translators face plenty of challenges conveying meaning while moving across different languages. It’s not just a problem of finding equivalent words. Different languages often have structural differences indicating formality, plurality, and gender of the participants in a conversation. Translation is hard.

In this TED-Ed video, we dig into the problem of translating the word “you,” a pronoun loaded with complexity. Dig in, y’all:

For more from TED-Ed on this lesson, check out this page, featuring quizzes and discussion.


September 10, 2016 – 4:00am

Chipotle Is Testing Out Delivery by Drone

filed under: Food, technology
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istock

In Virginia, burritos are taking to the skies. Tech Crunch reports that Chipotle and Alphabet are teaming up to deliver burritos by drone to hungry students at Virginia Tech. If the test program is successful, airborne burrito deliveries could one day become the norm.

Alphabet’s drone team, Project Wing, is running the experimental program on the campus of Virginia Tech starting next week and will recruit students and faculty to participate by ordering burritos from a set delivery area. Chipotle will prep food from a truck on campus, then load their tasty cargo onto Project Wing’s drones.

Since the U.S. has strict regulations on where it is appropriate to fly an unmanned aerial system (UAS), the entire test will occur on a closed test site. That means students won’t be ordering burritos from their dorm rooms, or watching drones deposit burritos on their classmates’ desks during lectures. However, the project may help Alphabet and Chipotle take major steps towards making drone food deliveries a reality, allowing Alphabet to work out the kinks of UAS delivery in a safe environment, and giving Chipotle a chance to figure out the best way to transport their foodstuffs.

An Alphabet spokesperson told Tech Crunch, “We’re increasingly optimistic about the potential for UAS to open up entirely new approaches to the transportation of and delivery of goods, including options that are cheaper, faster, less wasteful and more environmentally sensitive than what’s possible today with ground transportation.”

[h/t Tech Crunch]

Know of something you think we should cover? Email us at tips@mentalfloss.com.


September 10, 2016 – 12:00am

10% of Earth’s Wilderness Has Disappeared Since the 1990s

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istock

Not so long ago, the majority of the Earth was blanketed in forests and jungles, vast deserts, and sprawling savannas. But these days, the Earth’s wilderness is rapidly eroding. The Verge reports that, according to a recent study published in Current Biology, 10 percent of the Earth’s wilderness has disappeared in the last two decades alone.

Researchers from the Wildlife Conservation Society analyzed satellite and survey data since the 1990s in order to measure the loss of the Earth’s untamed places. They defined wilderness as “biologically and ecologically largely intact landscapes that are mostly free of human disturbance.” By their definition, wilderness landscapes cease to be wilderness not when humans settle there—the researchers note that many indigenous peoples help preserve rather than erode wilderness—but when humans disturbed ecosystems with land conversion, industrial activity, or large-scale infrastructure projects.

They found that, globally, 1.2 million square miles of wilderness have disappeared over the last 20 years, with the greatest loss occurring in South America (about a 30 percent loss) and Africa (14 percent loss). Today, only 23 percent of the Earth’s terrestrial area is wilderness. That’s bad news for a few reasons: The erosion of wilderness could have a negative impact on wildlife, indigenous communities, and climate change. Additionally, destroying even a small chunk of an ecosystem can have a negative impact on the rest, since wilderness areas are interconnected and interdependent.

Study co-author Oscar Venter told PRI that while he expected some wilderness erosion, he was shocked by the study’s results. “The amount of wilderness loss in just two decades is staggering,” he explained. “We need to recognize that wilderness areas, which we’ve foolishly considered to be de facto protected due to their remoteness, is actually being dramatically lost around the world.”

[h/t The Verge]

Know of something you think we should cover? Email us at tips@mentalfloss.com.


September 9, 2016 – 8:30pm

15 Amazing Entries from Nat Geo’s Nature Photographer of the Year Contest

’Tis the season for National Geographic’s annual nature photography contest, and some of the latest entries prove competition will be fierce. Take a look at a few of the best, and submit your own work until November 16 to win a trip to the Galápagos. 


Shaunacy Ferro


Friday, September 9, 2016 – 20:00

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Why You Shouldn’t Use Q-Tips to Clean Your Ears

filed under: health, science
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iStock

When we feel like cleaning our ears, many of us reach for a Q-Tip. But while the tiny cotton-tipped sticks may seem like the perfect earwax removal device, using them to get gunk out of our ears does more harm than good. In the short Business Insider video below, otolaryngologist Erich P. Voigt explains why sticking a Q-Tip into your ear isn’t just ineffective—it’s downright dangerous.

When we use a Q-Tip to remove ear wax, Voigt explains, we actually end up pushing wax toward our ear drum, where it can get stuck and harden. If you use Q-Tips too often, wax can end up hardening along the entire length of your ear canal, and you’ll end up with an inch-long “crayon amount” of wax.

Voigt is far from the only doctor who recommends keeping Q-Tips away from your ears: Otolaryngologist Stephen Rothstein gave similar advice in an interview with Slate back in 2013, explaining that the old adage “never put anything smaller than an elbow in your ear” has some real truth to it. “Buy Q-Tips if you want to make an ear doctor rich,” he quipped.

Fortunately, you don’t have to get rid of your Q-Tips completely. The versatile cotton swabs have plenty of uses, from cleaning faucets to unsticking zippers. Plus, they’re totally safe for cleaning the outer part of your ear, just as long as you don’t push them into your ear canal.

Know of something you think we should cover? Email us at tips@mentalfloss.com.


September 9, 2016 – 7:00pm

14 Reanimated Facts About ‘The Bride Of Frankenstein’

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YouTube

Arguably one of the most popular horror sequels ever made, The Bride of Frankenstein has been cited as James Whale’s masterpiece, Boris Karloff’s finest hour, and the crown jewel of Universal’s monster series. Here’s what every movie buff should know about the 1935 classic.

1. AT FIRST, JAMES WHALE DIDN’T WANT TO DO THE MOVIE.

In 1931, Universal released what’s often viewed as the definitive film adaptation of Mary Shelley’s Frankenstein. Directed by James Whale and starring Boris Karloff in a breakout performance, the movie was a colossal success. Critics at The New York Times praised it as one of the year’s greatest films. At the box office, Frankenstein exceeded all expectations—grossing an astounding $12 million against a $262,000 budget.

Naturally, Universal wasted no time in planning a sequel. Before 1931 came to a close, Robert Florey—who’d direct The Wolf Man 10 years later—submitted a seven-page story outline for a follow-up movie called The New Adventures of Frankenstein: The Monster Lives. Although Florey’s ideas were flatly dismissed, Universal was determined to churn out a second film.

For his part, Whale believed that he was done with the franchise. “I squeezed the idea dry with the original picture and never want to work on it again,” he told a friend. Eventually, though, the auteur agreed to direct The Bride of Frankenstein on the condition that he be given a greater degree of creative control this time around. The studio agreed.

2. REJECTED PLOT CONCEPTS INVOLVED EVERYTHING FROM DEATH-RAYS TO CIRCUS LIONS.

During pre-production, numerous story outlines were entertained. One scriptwriter came up with a bizarre plot in which Dr. and Mrs. Frankenstein change their names and go into hiding as circus performers. When the monster finds them, he angrily petitions the doctor for a mate, but ends up getting eaten by some trained lions instead. Another idea called for Dr. Frankenstein to murder his own creation with a death-ray—at the League of Nations headquarters, no less!

3. ERNEST THESIGER BEAT OUT TWO HORROR LEGENDS FOR THE ROLE OF DR. PRETORIUS.

The true villain in The Bride of Frankenstein isn’t the monster, nor is it his would-be wife or Dr. Henry Frankenstein himself. Rather, it’s another crazed scientist who goes by the name of Dr. Pretorius. Universal A-listers Claude Rains and Bela Lugosi were both considered for the role. But in the end, Whale cast Ernest Thesiger, a brilliant character actor who’d previously worked with the director on such films as The Old Dark House (1932) and The Ghoul (1933).

4. LOOK CLOSELY AND YOU’LL NOTICE THAT THE MONSTER’S WOUNDS APPEAR TO HEAL.

In the original Frankenstein’s thrilling climax, the monster seems to meet its demise inside of a windmill that’s caught fire. So when we first see the creature in Bride, the big brute is riddled with obvious burns. Also, a lot of his hair has obviously been singed off. For subsequent scenes, however, makeup artist Jack Pierce incrementally toned down the burns and replaced some of the hair. This created the illusion that the monster was slowly recovering from its injuries over the course of the film.

5. PRETORIUS’S MINIATURE MERMAID WAS AN OLYMPIC MEDALIST.

While trying to enlist Henry’s aid, the twisted doctor shows off some of his own creations—namely, a quintet of tiny people that are kept in glass bottles. There’s a miniature queen; a gluttonous king, clearly modeled after Henry VIII; a ballerina; a drowsy archbishop; and even a bearded figure whom Pretorius introduces as “the very devil” himself. Finally, he unveils a Lilliputian mermaid, as portrayed by Josephine McKim. In real life, McKim was an accomplished swimmer who competed at the 1928 and 1932 Olympics. Overall, she won three medals for the U.S., including two golds.

6. BORIS KARLOFF OBJECTED TO GIVING THE MONSTER ANY DIALOGUE.

Although the creature had been a mute in the first movie, Whale decided that the reanimated corpse ought to pick up some basic language skills during the sequel. Both Karloff and the studio disagreed quite strongly, but in the end, Whale got his way. Sara Karloff—the actor’s daughter—explained her father’s reservations in the DVD documentary She’s Alive! Creating the Bride of Frankenstein. “He felt it would take away from [his performance in the original film] and I think he was wrong,” she said. “History, cinema history, has proven him wrong.”

7. AT ONE POINT, THE BLIND MAN PLAYS “AVE MARIA” ON HIS VIOLIN.

In a scene that Mel Brooks would lovingly spoof almost 40 years later, the monster befriends a sage-like violinist who lives alone in the woods and happens to be blind. Classical music fans will no doubt recognize the tune that the character is playing when Karloff’s creature first makes his acquaintance. The melody comes from “Ave Maria,” a famous prayer composed by Franz Schubert in 1825. Later on, when the monster and his only friend tearfully join hands, the theme can again be heard in the background.   

8. MARILYN HARRIS (THE “DROWNED GIRL” FROM THE FIRST MOVIE) MAKES A BRIEF APPEARANCE.

Marilyn Harris’s character in the original Frankenstein was a little girl with a tragically short lifespan. In that film, the sweet-tempered child invited the monster to play with her by a lakeside. Failing to predict the consequences of his actions, the creature unintentionally killed his new pal by tossing her into the water. Universal horror fans hadn’t seen the last of Harris, however. As The Bride of Frankenstein DVD commentary points out, she briefly shows up in the sequel. Forty-five minutes in, the actress can be seen leading a group of rural school kids who run away in terror when the monster approaches.   

9. THE BRIDE’S FAMOUS HAIRDO WAS SUPPORTED BY A WIRE CAGE.

Elsa Lanchester was double-cast in this movie. During the prologue, she portrays a young Mary Shelley. Then, toward the climax, she makes an electrifying entrance as the intended bride of Frankenstein’s monster. Perhaps the most striking aspect of the creature is her wild, streaky coiffure. The look—which was inspired by the Egyptian queen Nefertiti—has become every bit as iconic as the widow’s peak that Bela Lugosi so confidently rocked as Count Dracula. Over the years, it’s been duplicated in several horror-comedies, from The Rocky Horror Picture Show to Hotel Transylvania.

Lanchester’s unusual ‘do wasn’t a wig, by the way—her actual hair was used to create the look. “I had it lifted up from my face, all the way around; then they placed a cage on my head and combed my own hair over that cage. Then they put the gray-streak hairpieces in afterwards,” she explained in an interview.

10. THE BRIDE’S VOCALIZATIONS WERE PARTLY INSPIRED BY SOME ANGRY BIRDS.

In London, Lanchester used to take frequent strolls through The Regent’s Park with her husband. Here, the young couple would regularly encounter some ill-tempered swans. “They’re really very nasty creatures, always hissing at you,” Lanchester later recalled. While portraying the female monster in Bride, she imitated those threatening birdcalls onscreen. “I used the memory of that hiss,” Lanchester said. “The sound men, in one or two cases, ran the hisses and screams backwards to add to the strangeness.”

11. PART OF THE ENDING WAS HASTILY RE-SHOT.

Originally, Henry Frankenstein (played by Colin Clive) was going to die in the climactic explosion along with the monster, its hissing mate, and Pretorius. However, after the sequence had already been filmed, Universal insisted that Whale go back and change it. Feeling that Bride should end on a somewhat happy note, the studio wanted Henry to survive the blast, and Whale grudgingly agreed.

Just a few days before the movie opened on April 22, 1935, some additional shots of Henry and his wife, Elizabeth, dashing away from the castle were filmed. This created a blooper in the final cut: If you pause the above clip at 2:15, you can clearly see Henry hugging the inside wall—after he’s already left the premises—just a few seconds before the whole building collapses.

12. THE MOVIE WAS BANNED IN MULTIPLE COUNTRIES.

With its high body count, religious imagery, and sexual undertones, The Bride of Frankenstein did not endear itself to certain viewers—or to certain governments, for that matter. The film was banned outright in Trinidad, Hungary, and Palestine. In China, censors insisted that four key scenes be cut from the movie before it could be legally shown within the country’s borders. Not to be outdone, the Swedish censorship board implemented a staggering 25 cuts, dramatically reducing Bride’s runtime.

13. THIS WAS THE ONLY ENTRY IN UNIVERSAL’S FRANKENSTEIN SERIES TO RECEIVE AN OSCAR NOD.

The Bride of Frankenstein received an Academy Award nomination for Best Sound Recording, although it lost the award to Naughty Marietta, an MGM movie musical starring Jeanette MacDonald and Nelson Eddy.

14. IT’S NEIL GAIMAN’S FAVORITE HORROR MOVIE.

“It’s a lot of people’s favorite horror film,” said bestselling author Neil Gaiman of The Bride of Frankenstein. “Dammit, it’s my favorite horror film.” In the above clip, Gaiman recalls staying up late as a boy to catch both Frankenstein and its 1935 sequel in a televised double-feature. What did he think? “Frankenstein was a huge disappointment to me,” Gaiman admitted, but he fell in love with the atmospheric Bride and remains a fan to this day. He is especially fond of the climax, which he cites as his favorite “two to three minutes of film, ever.” Another celebrity admirer is Guillermo del Toro, who, in a 2008 conversation with Rotten Tomatoes, ranked The Bride of Frankenstein as one of his top five films.


September 9, 2016 – 6:00pm

Inside the Tolstoy Family Reunion

Leo Tolstoy tells a story about a boy who kept eating cucumbers that grew larger and larger, to the delight of his grandchildren Ilya Andreevich and Sophia Andreevna (Sonia). Sonia grew up to be the director of the museum. During the German occupation, she evacuated the house’s contents to Siberia for protective safekeeping.

 
It was almost closing time in the Leo Tolstoy House-Museum at Yasnaya Polyana, the Tolstoy family estate. I stood in the bedroom of my great-great-grandmother, Sophia Andreevna, Leo Tolstoy’s wife. I was named after Sophia, who was also known as Sonia. It was the last day of my weeklong stay at the estate. In the past 16 years, I had been in this room at least eight times. I had seen before the small paintings and black-and-white photographs of family members lining the walls; a talented amateur photographer in the early days of the medium, Sophia had taken them herself. Her dressing table gave the impression that it had just been organized, as if Sophia herself had recently sat there, perhaps before leaving on a trip. Small decorated jars, a handheld mirror, and a bristle hairbrush were lined up perfectly, and nearby, an open suitcase held hand-stitched fabric.

The sound of a Chopin duet echoed from the adjacent dining hall, or salon, where portraits of family ancestors hung on the walls and 20 descendants of the Tolstoys were gathered for a small, private concert. I went into the room to listen more closely. Chopin was one of Leo’s favorite composers, and is also one of mine. This salon was the heart of the family home for entertaining guests and where they often gathered to stage plays, play charades in costume, and make music together on the same grand piano being played today. Leo and Sonia loved to play four-handed pieces by Schumann and Brahms, among others. The whole family was very musical, several played the guitar, and of course all played the piano. In fact, Sergei Lvovich, Leo and Sonia’s oldest son, became a well-known musician and composer. They were especially fond of folk songs and gypsy singing, and Sonia’s sister Tanya—the prototype for Natasha Rostova in War and Peace—had a beautiful voice. She sang for family and guests regularly. In the corner stood a chess table where Leo enjoyed challenging his friends and family.

I had seen all this before, and yet it felt different this time. I was suddenly overtaken with feelings of warmth and intimacy that brought tears to my eyes. The house had always felt like a museum … but now, I felt a closeness. Perhaps it was the music. Or perhaps it was because I was in a family embrace.

Welcome to the Tolstoy Family Reunion.

Some of Tolstoy’s descendants gather next to the family home, now a museum, at Yasnaya Polyana in 2012.

 
I am one of Lev (Leo) Nikolaevitch Tolstoy’s great-great granddaughters. According to our family tree, I am number 196 of the nearly 400 direct descendants of Leo, almost 300 of whom are still alive. A small book about the museum-estate includes a list of Leo Tolstoy’s descendants, where Leo is number one, his eldest child Sergei Lvovich is number two, and so on. We are all catalogued under our generation ranging from children all of the way through great-great-great-great grandchildren. Over the years, revolutions and wars have spread us across the globe, and we now live in Brazil, Canada, Czech Republic, Denmark, France, Germany, Italy, Sweden, the U.S., Uruguay, and of course Russia, among other countries. Since 2000, biannual family reunions have been held at Yasnaya Polyana (located in the Tula region, about 124 miles south of Moscow), preserved as it had been when still a home at the time of Tolstoy’s death in 1910. The reunion was first organized by Vladimir Ilyich Tolstoy, then director of the Leo Tolstoy Museum-Estate Yasnaya Polyana and now cultural advisor to President Vladimir Putin. Like many others here, he is my cousin. The current director is Ekaterina Tolstaya, Vladimir’s wife. Vladimir envisioned the reunion as an opportunity to bring the descendants of Leo together, continuing the connectedness of family heritage the writer so honored.

This August, more than 90 family members and friends from 13 nations gathered at Yasnaya Polyana for a weeklong family reunion filled with activities, tours, and lively communal dinners, both celebrating old traditions and making new ones. At breakfast on the first day, I spotted Georg Tolstoy, an engineer from Sweden. I was overjoyed to see him again after 16 years. We greeted each other as old friends. Some descendants are in contact often; Georg and his fellow Swedes, for example, are the largest branch of the family, and they have a Tolstoy association that holds meetings. Others only see each other on Facebook, Instagram, or at the reunions.

We each trace our line back to one of six (out of 13) Tolstoy children who had children themselves. I am of the Mikhailovich line—Leo’s youngest son Michael was my great-grandfather. During the reunions we look for little numbers on our badges that indicate where we are in line from Leo. We find our names and faces on the huge family tree that fills up an entire wall of the museum’s hotel lobby. And we often play the genetics game: who has the Tolstoy eyes, smile, and walk—and hopefully not the Tolstoy nose, which was large and somewhat potato-shaped.

Leo and Sophia surrounded by eight of their children

 
The Tolstoy family home is now the main museum on the property; it is surprisingly small and simple, and does not appear particularly grand or elegant. Rooms meander off each other. The walls are densely packed with photographs and pictures. The house would evolve often with the use changing depending on how many children were living there at any time. It is hard to imagine where all the many children slept when the family was in full assembly. After Tolstoy made some money publishing War and Peace, he built an addition, including the salon, which was more formal and had parquet floors, unlike the rest of the house. The kitchen is separate, located behind the main house adjacent to one of the many orchards. Next to the house, there is a beautiful flower and herb garden, which Sonia tended to herself.  

There are many other buildings on the estate, including the Volkonsky House, a more formal structure where Sonia’s sisters usually stayed. Today it holds offices and a reception center. Across the way, a rustic stable houses horses and a riding school. Nearby there are forests and meadows. We explore these grounds on foot, horseback, or bicycle. A small one-horse wagon was commandeered to drive the elderly relatives around.

Oskar Lundeberg, a great-great grandson of Leo’s from Sweden, and two others take the easier route to tour the nearly 1200-acre grounds.

These get-togethers are incredibly raucous events, filled with bellows and laughs across giant communal tables set up outside for al fresco dining. We come together as family to share stories over food and (lots of) wine. We sing birthday songs in five languages (in fact, we celebrated two during this last reunion). In the daytime, we practice flower weaving in the gardens, throw pots of “live” black clay and take Russian lessons. We play traditional games in the yard by the Yasnaya Polyana Cultural Center, including gorodki, a game similar to bowling or horseshoes that was a favorite pastime of Leo Tolstoy’s children. Of course soccer makes its way into activities almost every day. During the competitions, my team, The Lazy Sportsmen, lived up to the low expectations of our name, to the dismay of the more aggressive Caviar & Champagne team, which thought we didn’t put up much of a challenge.

During the 2016 reunion, Andrey Tolstoy was in heated competition against Ivan Lysakov during a bout of veselye starti, a relay race. One leg of the race involves running with water. Lively family games were very popular among Leo Tolstoy and his children. Image credit: courtesy of Anastasia Vladimirovna Tolstaya

 
But while the reunion is a bona fide good time, it’s also a lot more than that. “The first reunion literally turned my ‘consciousness upside down,’ as they say in Russian,” recalls Anastasia Tolstoy, Vladimir’s daughter. “Prior to then, I had known only a close circle of family and a few Tolstoys abroad. Everyone else was just a collection of names and numbers in the book detailing our family tree. In 2000, that tree was brought to life, and the colorfulness of the Tolstoy descendants was reawakened. We become a force to be reckoned with that goes beyond the renowned Russian writer, but back to centuries of illustrious ancestors with daring, history-making deeds.”

I do not have centuries of space here to describe those deeds, but to sum it up briefly: Historically, the Tolstoys have been known for their wild nature, intelligence, and creativity, with a very long legacy woven throughout Russian high society in politics, literature, and the fine arts. We can trace our lineage back to the original Tolstoy, a Lithuanian nobleman named Indris who came to Russia in the 1300s. The name “Tolstoy” actually translates to “The Fat One,” so I can only assume he had a little girth to him.

Lena Alekhina, press manager for the museum, says that the reunions are very important to the culture of Yasnaya Polyana because “the idea of a Russian estate is meaningless without the family. It is then just a place. Whereas here this estate can be what it is intended to be: a big house for a big family of many generations.”

The Museum-Estate stands on protected land and is open year-round, attracting more than 200,000 tourists and Tolstoy aficionados alike. It is host to an incredible panoply of cultural programs, including folklore workshops, locally developed crafts and Russian language classes for children and adults, a scholarship program for children in the arts, environmental protection assemblies, and conferences for writers from many countries. This educational focus is in tune with Leo’s life. He opened an informal school for the children in the area, taught by all his children. His daughter Alexandra also opened a formal school as part of the museum in the 1920s. Yasnaya Polyana, now with more than 400 employees, has expanded this dedication to learning, Russia’s people and the land, further bringing the Tolstoy spirit and philosophies to life.

Some tourists are excited by the family reunion, even asking for our autographs as we explore the grounds. It can be a little embarrassing: As my Tiotia (aunt) Masha says, “I didn’t write the books!”

This sheet is kept in the Coachman’s House, a traditional Russian-style peasant house located on the property. Tolstoy family members are asked to sign the sheet. Their signatures are then stitched in colorful threads for permanence.

 
Sure, you have been meaning to set aside a year (or more) to finally read War and Peace or oohed over the costumes in the 2012 version of Anna Karenina, but how much do you really know about the author who penned those tomes?

Count Lev Nikolaevitch Tolstoy is considered one of the greatest novelists of all time. He was prolific, writing many novels, plays, and essays (not to mention hundreds of letters) which continue to inspire worldwide. The many volumes of his journal alone, used to meticulously document every detail of his life—the good, bad, and the ugly—provided fodder for his work. He had theories on absolutely everything and let his opinion be vehemently known on religion (he believed in God but was excommunicated from the Russian Orthodox church in 1901 for his very liberal and protestant ideas), politics (he was not a fan of the monarchy and denounced his own noble standing), human rights (he corresponded with many activists around the globe, including Mahatma Ghandi and the American activist and reformer Jane Addams, who put up Leo’s daughter Alexandra in Chicago when she moved to the US in the late 1920s), and family (beginning with his own children).

Tolstoy was born on September 9, 1828 (or August 28 by the Julian calendar, which Russia discarded in 1918) on a comfortably worn leather couch that still resides in his study in the main house. A fertile seat, the couch welcomed all of his siblings, and Sonia had many of her children there too. And yet when asked exactly where on the property he was born, Tolstoy would take his guest into the garden and point about three meters up a tree, declaring, “Oh, right about there.”

The couch upon which Leo, his siblings, and some of his children were born. It sits in his study upstairs in the main house at Yasnaya Polyana. He kept manuscripts for his books in the drawers, which no one was allowed to access except him.

 
He wasn’t lying. The house he was born in had once stood in that spot but had been carted away years before, leaving only the wings, which were adapted to become the house that stands there now. It was rumored that he had lost the very large formal house in a card game. Leo had been quite wild in his youth.

Yasnaya Polyana, which literally means “Bright Meadow,” was originally a 3700-acre estate belonging to Prince Nikolai Volkonsky, Leo’s maternal grandfather. It passed to Tolstoy in 1847, at which time he sold off the edge of the property, leaving a mere 1186 acres. He moved there in 1856, after finishing service in the army, and lived on the property for the remainder of his life. He also had a house in Moscow but preferred the open land and being among the peasants in the village surrounding Yasnaya. He loved the outdoors and enjoyed physical labor, working alongside the peasants in the fields. In their 48 years on the estate together, Leo and Sophia developed the natural contours of the parks with native flora to create beautiful spaces. They planted apple orchards with more than 60 varieties, evergreen forests, and flower gardens. The paths were deliberately designed to inspire creativity and allow thoughts to flow during their daily walks.

Every inch of land on Yasnaya Polyana is linked to meaning and a tale. Not far from the house, an orangerie—originally built by his parents—offered exotic fruit and a tropical haven during the bitter winters. Sonia loved the escape it provided, but Leo hated tending to this popular nobleman’s hobby (though he admitted it was meditative) and was not disappointed when it burned down.

For both Catarina Hjort Tolstoy, a PE teacher and painter from Sweden, and Kristina Johlige Tolstoy, a sculptor in Germany, their favorite Leo story is one known by the family as “The Green Stick,” which is closely tied to the land and Leo’s philosophy. When he was a boy, Leo’s older brother Nicholas told him that the secret to healing the world’s ills was carved on a green stick, which would only be revealed when one joined the “Brotherhood of the Ants.” Nicholas said the stick was buried on the estate at the edge of the Zakaz Forest. The Green Stick became a symbol of his lifelong search for love and peace. In the end, he was laid to rest at the supposed location of the mythical stick, thus having the secrets of goodness and peace revealed to him, in a manner of speaking.

Another view of the house

Tolstoy’s interests were voracious and spanned hundreds of topics. At Yasnaya Polyana, he entertained many musicians, writers, and artists from around the world, including Maxim Gorky, Anton Chekhov, Ivan Turgenev, and the composer A.G. Rubenstein. He spent days on end sitting for portraits by well-known artists like Ilya Repin. He corresponded with the likes of George Bernard Shaw and Thomas Edison, who gifted him a phonograph, on which the family recorded Leo’s voice. Visitors and pilgrims flocked to Yasnaya Polyana, with many staying for months, much to the irritation of Sonia. Photographs, letters, and trinkets from his evolving interests and tastes fill the study in the house. But most impressive is the library that is a big part of the entire house. It contains nearly 10,500 titles in about 27 languages. Tolstoy spoke German and French fluently, and eventually taught himself 13 languages, including English, Hebrew, Tartar, Arabic, and ancient Greek; he wanted to be able to read texts in their original languages. Many of the books are dog-eared with his personal notes and thoughts scribbled in the margins.

This typewriter sits in the well-lit “Remington Room,” which overlooks a yard and orchard. It was used to retype Tolstoy’s handwritten manuscripts. Tolstoy liked to come here to read, correct proofs, and pour over some of the 50,000 letters he received, which are preserved in the archive today.

 
While living at Yasnaya Polyana, Sonia carefully documented every single belonging in the house, down to even the smallest items in the drawers and under the bed. She knew the estate had an important destiny. During the reunions, my cousin Fekla Tolstaya, a broadcast host/producer and journalist in Russia, has entertained children by asking them to crawl under the beds and see what they can find there. My grandfather, Vladimir Mikhailovich Tolstoy, remembers staying in a room with many arches that was once used as a meat pantry. Huge hams had hung from the arches on hooks. My grandfather and his brothers would climb up to the ceiling, attach ropes to the hooks, and swing across the room, shouting, “I’m a ham, I’m a ham!”

Truly amazing is that the museum has been sustained in such a remarkable condition over time. In fact, during World War II the Nazis occupied the house for 45 days. They trashed it and set it on fire on their way out. Miraculously, villagers saw the plumes of smoke and rescued the home. And all of those belongings Sophia so painstakingly documented? Before the Germans arrived, they had been evacuated to Tomsk in Siberia to wait out the war. They were eventually brought back to the estate to help restore it to its former glory.

I asked Grégoire Tolstoï, an event producer from Belgium, his perception of the gathering. A fellow member of Team Lazy Sportsmen, Grégoire and I had spent a lot of the reunion not winning races together. A first-time attendee, Grégoire harkens from an older branch of the Tolstoy family. The Leo Tolstoys are a large clan, but the legacy is 700 years deep and much larger than Leo. “I was stunned by the fact that many have an artistic passion or occupation, which was emphasized in my immediate family,” Tolstoï told me. “But I see it is more of a characteristic. What a wonderful surprise.”

I had a similar insight about the Tolstoys. It is striking that for hundreds of years we share the same occupations from generation to generation, in the fine arts, music, human rights, politics, international affairs, and of course literature. It is amazing to see how many people are walking in these footsteps: visual artists and actors, politicians, philanthropists and peacemakers, journalists and writers, television personalities and linguists. In speaking to reunion attendees, I find that their excitement about the boisterous event is always underscored by a deeper connection to each other and our common ancestors.

Great-great granddaughter Jana Benetkova, from the Czech Republic, weaves flowers, a traditional folk craft, during the 2012 reunion.

 
“The first time I came to Yasnaya Polyana, I collected daisies and intended to make a piece with them,” Kristina, the sculptor, shared with me in the meadow by the stables. “It was there that I learned that Sophia created artwork out of pressed flowers and plants. Learning this and reading her diaries, I felt so much more connected to her. In honor of this discovery, I dedicated a work to her titled ‘Seeing More’.”

My mother, Tanya Tolstoy Penkrat, says that she was overwhelmed when she saw Sophia’s small paintings of mushrooms hanging in her bedroom. Collecting mushrooms has been an abiding hobby of my mother’s, and she too likes to paint little pictures of mushrooms as gifts for friends and relatives.

Sophia’s room, filled with small paintings and dominated by an icon of Jesus. Sophia was deeply religious, and today all of the guides who work in the house enter this room at the beginning of each day and venerate the icon, just as she did.

 
Life for Leo Tolstoy did not end in 1910 with his death from pneumonia. Many of his children remained committed to the family heritage, including writing several books about their extraordinary lives, such as Tolstoy, A Life of My Father, by Alexandra Tolstaya. Alexandra, the youngest daughter, also helped convert Yasnaya Polyana into the museum, which opened on June 10, 1921. When Stalin’s oppression paralyzed her work, she moved to the United States in 1929, eventually starting the Tolstoy Foundation, which sponsored thousands of Russian refugees to come to America during and after World War II, including Vladimir Nabokov, Sergei Rachmaninoff, and my mother.

Today, some of Tolstoy’s descendants are inspired by his ideas to move Russia in a new direction. “One of the first conditions of happiness is that the link between Man and Nature shall not be broken,” Leo wrote. In this spirit, Daniil Tolstoy, a great-grandson of Leo, is starting the first organic farm in Russia, just outside of Yasnaya Polyana. Called “Nasledie Tolstogo” (Наследие Толстого, or Tolstoy’s Heritage), the concept originated during a previous family reunion when Daniil visited Nikolskoye-Vyazemskoye, a country estate that belonged to Tolstoy’s great-grandfather. There he found gorgeous fields filled with rich black soil laying fallow. He anticipates beginning to plant this spring using new technology and techniques for sustainable farming. He hopes to develop products under a unique brand and eventually establish an organic agriculture school on the property to educate young Russians about sustainable farming.

Nina Gorkovenko, director of the estate’s Coachman’s House, holds a traditional tea ceremony every day. The honey served with the tea is from an apiary located in one of the estate’s orchards.

 
Others are committed to both maintaining and modernizing Leo’s legacy. Fekla Tolstaya, a great-great granddaughter of his, has been extraordinarily active in bringing Leo Tolstoy into the 21st century. Tolstaya told The Guardian that at the end of his life Tolstoy did not want money for his work, but instead wanted to give his work to the public: “It was important for us to make it free for all people across the world. It is his will.” Among these initiatives is All of Tolstoy in One Click, an effort to digitize the entire 90-plus volume collection of Tolstoy’s writings, making them available on e-readers, iPads, and smartphones. This effort required massive crowdsourcing. In 2013, thousands of volunteers from 49 countries answered the call to arms to proofread 46,800 pages of already scanned works. They completed the project in just 14 days.

In December 2015, Fekla organized a four-day marathon reading of all four volumes of War and Peace, which Tolstoy wrote at Yasnaya Polyana and published in 1869. Some 1300 readers from 30 cities around the world took part, including actors, sports stars, politicians, and even cosmonaut Sergei Volkov, who read from the International Space Station. The event was live-streamed online and broadcast live on Russian TV.

Next, Fekla plans to collaborate with several academic institutions, including Moscow State University and Harvard University, to create the “Tolstoy Digital Universe.” This online encyclopedia of the writer’s literary heritage will allow users to have, right at their fingertips, access to Tolstoy’s texts, quotes, correspondence, etc. In addition, she hopes to digitize the more than 5000 manuscript pages of War and Peace, giving us a behind-the-cover look at the incredible development of this literary masterpiece.

Leo Tolstoy’s selfie from 1862. In the upper left corner, he wrote Sam sebya snyal, which means “shot by me.” At lower left corner he wrote an abbreviated version of his name: “Gr. L.N. Tolstoy,” for “Graf Lev Nikolaevitch Tolstoy.” Graf means “Count.” Image credit: courtesy of Anastasia Vladimirovna Tolstaya

 
When the Chopin concert was over, I exited the house with my cousins. We gathered in the yard for a family picture, just as Leo and Sonia did quite often with their children. I adore looking at photos of them enjoying afternoon tea in the garden and pointing out my great-grandfather among the siblings. I think Sonia would have enjoyed these family reunions for their liveliness and feelings of love and closeness. As for me, I am newly inspired to delve further into my family history and eventually write that book that I’ve been planning for ages.

Special thanks to my mother, Tanya Tolstoy Penkrat, who is the most incredible oral historian and keeper of stories for many of our extended family.

Unless otherwise noted, all images are courtesy of the author and her relatives.


September 9, 2016 – 5:15pm

BART Is Paying San Francisco Riders Not to Commute During Rush Hour

Image credit: 
Justin Sullivan/Getty Images

The Bay Area’s transportation infrastructure is so overloaded that BART is paying people to stop riding trains during rush hour, according to a Reuters report posted on SouthCoastToday. The program, called BART Perks, will let people accumulate points that they can redeem for tiny amounts of money if they ride early in the morning rather than during rush hour.

In general, people who use BART’s Clipper card to enter the subway earn one point for every ride they take, but riders who enter between 6:30 a.m. and 7:30 a.m. get bonus points in different amounts, depending on how often you take advantage of these non-rush-hour trips. After 9:30 a.m., you get a single point for every mile you travel. There will be random opportunities to earn points, too, according to BART. The FAQs explain that “Occasionally, you will receive notification that a bonus box is available. These are special, limited-time opportunities to earn more points, personalized to your commuting history.”

At the end of the month, you can choose to get a payout ($1 for every 1000 points) or enter to win random cash rewards or more points, as laid out in the program’s FAQs [PDF]. The six-month pilot will end in February 2017, at which point the transit authority will evaluate whether it’s effective enough to continue.

Between BART’s sudden surge in ridership, thanks to the tech boom and the system’s aging infrastructure (not uncommon to American transportation systems, or U.S. trains in general), it’s facing increased equipment failures like electrical surges that cause delays, and on already crowded trains, customer satisfaction is at an extreme low. Asking people to stop riding the train during popular hours isn’t a real fix—people’s work schedules aren’t going to change over subway crowding—but it might at least relieve the system a tiny bit as riders wait for actual expansions in service and infrastructure upgrades, which will take years to complete. In the meantime, earn a dollar or two a month by getting to work really, really early.

[h/t SouthCoastToday]

Know of something you think we should cover? Email us at tips@mentalfloss.com.


September 9, 2016 – 5:00pm

Show and Tell: Captain Cook’s Daisy

New York Botanical Garden

This dried-out daisy (Chiliotrichum amelloides Cass.) might not look like much, but it tells the story of one of history’s most ambitious journeys. It was collected by botanists Joseph Banks and Daniel Solander during Captain Cook’s first voyage in 1769. Though the goal of the ship Cook commanded, the HMS Endeavour, was primarily to document the transit of Venus from Tahiti, the ship also acted like a floating science lab for more than budding astronomers. Banks and Solander boarded the Endeavour in 1768 with an ambitious goal: Document everything they could about the plants they encountered as they circumnavigated the globe.

At every stop, Cook’s crew of botanists conducted one of history’s most incredible scientific studies, braving harsh conditions and an inhospitable landscape to collect specimens of an estimated 100 previously unknown plant families and at least 1000 unknown plant species. (Yes, Botany Bay is named after Cook’s crew of frenetic plant collectors.)

Banks and Solander plucked this daisy in Tierra del Fuego, the southernmost tip of South American mainland. When they returned to English terra firma in 1771, the pair became instant celebrities. (Sydney Parkinson, the young botanical illustrator who accompanied them on the voyage, tragically died of dysentery on the trip home.) Everyone wanted accounts of the journey and the seemingly untouched landscapes encountered by Cook and his men, but they also became charmed by something else: the flowers, plants, and botanical specimens the explorers had brought home.

Banks was lampooned as “The Botanic Macaroni” for his fashionably foppish embrace of floral collecting, but the moniker didn’t seem to bother him much. He ended up becoming Britain’s preeminent botanist, advising the king on the makeup of the now-famous Kew Gardens and dispatching seemingly countless explorers to the ends of Earth in the name of science.

But Banks’s reputation came at a cost: the fame of Solander, who died young and whose achievements were eventually buried beneath the weight of Banks’s botanic fame. Solander may have had a stronger scientific legacy if the massive Florilegium, a 34-part book featuring over 700 plant drawings and descriptions from Cook’s first voyage, had been printed during his lifetime.

Despite the sad story of Solander and Cook—the latter was famously attacked and killed by Native Hawaiians on his third voyage—the men and their captain helped spark a flower frenzy throughout Europe. Flower collection hadn’t exactly been Cook’s initial goal—the botanical aspect of the expedition was foisted on him as a condition of commanding the journey. Though Cook often differed with the botanists who overran his boat, they seem to have developed an eventual rapport. Fueled by specimens that had never been seen before, the plant obsession they set in motion lived well into the next century and prompted the development of botany as a serious science.

Once the botanists brought their precious specimens back to England, they were dried and pressed. The specimens eventually made their way into collections the world over—a rare remaining glimpse into one of history’s greatest botanical adventures. The daisy that helped start it all is tucked into a folder in the William and Lynda Steere Herbarium at the New York Botanical Garden, a repository that’s home to nearly 8 million plant specimens. It may be nearly 250 years old, but the dried, pressed flower is expected to bear testimony to a swashbuckling era of scientific exploration for centuries to come.


September 9, 2016 – 4:30pm

Q&A: Ann M. Martin and Annie Parnell from the ‘Missy Piggle-Wiggle’ Series

filed under: books

If you grew up on The Never-Want-to-Go-to-Bedders Cure, The Thought-You-Saiders Cure, and The Slow-Eaters-Tiny-Bite-Takers Cure, then you’re going to need a Don’t-Speed-on-the-Way-to-the-Bookstore Cure, because the wonderful world of Mrs. Piggle-Wiggle is back. 

Ann M. Martin (The Baby-Sitters Club, Rain Reign) and Annie Parnell, great-granddaughter of Mrs. Piggle-Wiggle author Betty MacDonald, have joined forces for Missy Piggle-Wiggle and the Whatever Cure, a modern-day take on the series that has young Missy Piggle-Wiggle stepping into her great-aunt’s enchanted shoes to take charge of the Upside-Down House and its magical menagerie. 

We talked to Martin and Parnell about how they retooled the series for today’s kids, their collaboration process—and the Piggle-Wiggle spell they’d like to make a reality.


How did the idea to reboot Mrs. Piggle-Wiggle come about?
Ann M. Martin: 
I was an avid fan. I had the first four Mrs. Piggle-Wiggle books, which I can envision on the shelf in my bedroom. The stories made me laugh out loud. My favorite was “The Radish Cure,” in which a little girl who doesn’t like taking baths is allowed not to bathe for so long that her body becomes encased with soil, at which point her parents are instructed to plant radish seeds in the dirt one night. Several days later she finds herself covered with green sprouts, and begs for a bath. Problem solved. Brilliant. So when my editors told me that Annie Parnell was interested in bringing back the world of Mrs. Piggle-Wiggle and asked if I’d be interested in writing the books, of course I said yes.

Annie Parnell: The reboot of the series was a long time coming. Back, before I had kids, when I worked in the television industry, I spent a fair amount of my free time trying to crack a way into bringing Mrs. Piggle-Wiggle to the screen. It might seem easy, but when you really dig in and look at the books, Mrs. Piggle-Wiggle simply isn’t in them that much. Which begs the question: How do you make a TV series or movie when the title character just isn’t there? It wasn’t until after I had kids of my own that I saw Betty’s stories from an entirely new perspective. It was then that I realized if I were to ever reimagine this world on the page or the screen, I wanted to spend a lot more time in the wonderful, sometimes magical, upside-down world of the Piggle-Wiggles.

However, I didn’t want to reinvent Mrs. Piggle-Wiggle. She really is perfect the way she is, so Missy seemed like a natural way back into these stories. And of course, none of this would have ever happened if it wasn’t for my brilliant manager, Rachel Miller (who also happens to be a Piggle-Wiggle fanatic). She really gave me that first big push away from the screen and back to the page.

Illustrations by Ben Hatke

You’ve succeeded in maintaining the tone and overall Piggle-Wiggle magic while still updating the series for today’s kids. Were you concerned about walking that line?
AM:
I was more concerned about doing justice to the world that Betty MacDonald had created. Hers are big shoes to fill. But I had so much fun with that world and its magic that my stage fright faded as I worked on the first book. Annie Parnell had lots of ideas about updating the series and about the introduction of Missy Piggle-Wiggle, and she, [Feiwel & Friends publisher] Jean Feiwel, [Feiwel & Friends editor-in-chief] Liz Szabla, and I met and talked often about the direction the new series should take, so I felt well supported when I began writing.

How closely did you two work together?
AM:
It was Annie’s idea to introduce Missy, Mrs. Piggle-Wiggle’s great-niece, a younger and more contemporary character. Annie, Jean, Liz, and I met early on to talk about Missy and how she would fit into the world of Mrs. Piggle-Wiggle. The four of us spoke several more times by phone, and Annie read and commented on the outline for the book as well as each stage of the manuscript. She had fun ideas for cures and, as a mom, she also had valuable insight into the problems kids encounter today.

AP: Working with Ann was great. Creating the world and setting up the rules was a wholly collaborative process, with lots of back and forth, pitching ideas for cures and characters and storylines. But when it comes down to it, Ann did the heavy lifting here. She’s the one who sat down in front of the blank page day after day and wrote a book, and somehow managed to step into Betty’s shoes and run in them. She really did a spectacular job. This is not to say that I didn’t have some very strong opinions about how some of the stories played out, I absolutely did, but fortunately everyone involved in the project wanted the same thing: a book that is fun and funny, that holds true to the world that Betty created without feeling too old-fashioned, and I feel really confident that we did that.

Ann, you’ve talked before about how your characters are often inspired by people you know. Kristy and Mary Anne from The Baby-Sitters Club, for example, included characteristics from you and your best friend. Is Missy inspired by anyone?
AM: 
Being able to build on the world created by Betty MacDonald is great fun. Missy wasn’t inspired by anyone in particular, but the Piggle-Wiggle world is in my mind when I write. In fact, I keep copies of the books on my desk for inspiration.

Did Betty MacDonald leave anything for you to work with—storylines or characters cut from previous books?
AM: No, I didn’t have any unpublished work, but I did have that fabulous world—the upside-down house, Lester the polite pig, Penelope the parrot, and the other animals. And of course Mrs. Piggle-Wiggle’s particular way of dealing with children, which manages to be both practical and magical, not to mention hilarious.

AP: As far as I know, Betty only left one unpublished cure, which my grandmother, Anne Canham, incorporated into her book, Happy Birthday, Mrs. Piggle-Wiggle. But I think Betty’s published material, and a lifetime of my family making up their own little Piggle-Wiggle-esque cures and stories, was more than enough to send us on the right track.

© Forde Photographers

With your grandmother also working on the Piggle-Wiggle series, was there a “passing of the torch,” so to speak?
AP: 
My grandmother was thrilled when I proposed writing a new series of books and has been my number one cheerleader this entire time. I honestly couldn’t have done it without her support and steadfast belief in me.

Inventing the various Piggle-Wiggle cures and potions seems like it would be a blast. If you could invent your own Piggle-Wiggle style cure to use in real life, what would it be?
AM:
If there were a way to magically vacuum the word “like” out of people’s mouths before they, like, use it, like, unnecessarily, that would be, like, great.

AP: This has to be my favorite question, ever. I obsess not only about what I like to call Piggle-Wiggle Parenting (how her cures play into real-life parenting), but also imagining funny imaginary cures for my kids’ latest misbehaviors. These days it feels like everything has to happen right now. And, by the way, this is not just a kid problem; plenty of adults can barely handle a slow internet connection without losing their cool. But for kids in particular this is a struggle since they’ve never known anything other than instant gratification.

My kids are astonished when I tell them about the “olden days” when we had to listen to the radio and hope the song we wanted to hear would come on, or if someone called and we didn’t answer, they would have to keep calling back until we were home, or if we wanted to learn about a topic (and our family didn’t have their own encyclopedia set), we had to go to the library and look it up using the Dewey Decimal System. So I love the idea of a cure for impatient-itis, where everything in their world slows down and the world gets old-school; their cell phones dial like rotary phones, each text message takes a whole day to send, and selfies have to process for a week before they can see them.

Are you able to say what’s next for Missy and her menagerie?
AM:
In the second book, Missy cures whiney-whiners and smarty-pantsiness, as well as other habits, while continuing to make a life for herself in Little Spring Valley.

Ann, I have to ask—with all of the recent book revivals lately, is there any chance we’ll see the return of The Baby-Sitters Club? I’m sure many fans would love to check in with the BSC members as grownups.
AM:
At the moment there are no plans for grownup versions of Kristy, Claudia, and the others. However, the original books will continue to be published in graphic novel form, thanks to Raina Telgemeier’s inspired imagining of the characters and world of Stoneybrook.


Missy Piggle-Wiggle and the Whatever Cure is available in bookstores, and online, now.


September 9, 2016 – 4:15pm