The little diamonds—called lash tabs or pig snouts—have two parallel slits cut out of the center. This lets you weave a cord or string through and tie various items—shoes, a water bottle, a flashlight—to your bag. The strong little square is built to hold your larger items while hiking or traveling, but it can also be used for smaller objects like earbuds or name tags.
In the world of cartoons, where a Tasmanian devil can spin into a twister and a rabbit can squabble merrily with a hunter, there is no sorrier figure than Wile E. Coyote. The calamitous desert dog has been desperately trying—and spectacularly failing—to catch his nemesis, The Road Runner, for nearly 70 years now, all the while utilizing the constantly malfunctioning products of the ACME Corporation. Poor Wile E. Coyote can never count on the mechanics of his gadgets, the timing of his plans, or even the laws of physics to play their part in his schemes.
Wile E. Coyote and The Road Runner were created by acclaimed animation director Chuck Jones in 1948 ahead of the pair’s first appearance in the 1949 cartoon Fast and Furry-ous, which sees Coyote’s plans undone by an uncooperative boomerang and an even more uncooperative rocket. The short was written by Michael Maltese, who would go on to collaborate with Jones on 16 more cartoons featuring the pair. Coyote and Roadrunner remain key fixtures in the colorful world of Looney Tunes to this day.
When putting the character of Wile E. Coyote together, Jones drew from a surprising source of inspiration— specifically, the writing of Mark Twain. In his 1872 book Roughing It, Twain describes a coyote that he sees on his travels as a “long, slim, sick and sorry-looking skeleton,” and Jones cited this passage as having informed his character. In the same book, Twain describes the coyote as “a living, breathing allegory of Want. He is always hungry … He is always poor, out of luck and friendless,” also a fitting image of Jones’s hapless cartoon character.
Jones also took a cue from philosopher George Santayana when creating a list of rules that Road Runner cartoons needed to adhere to. Rule #3 states that “The coyote could stop anytime—if he were not a fanatic.” Jones then added a reminder, quoting Santayana: “A fanatic is one who redoubles his effort when he has forgotten his aim.”
An apt description of the bungling but dedicated Wile E. Coyote if ever there was one.
Around the world, erosion draws sand off of beaches and into the sea. So engineers periodically dredge the sand from offshore and pump it right back onto the beaches. This has been going on for decades. (And occasionally they dredge up bombs!)
Part of our sand-loss problem is that billions of tons of sand are also used in construction (most notably in concrete), effectively locking it up so it can’t be reused on beaches. So, over the long haul, we are running out of sea sand.
Why not just use desert sand for the construction stuff? We have lots of deserts in the world, with lots of relatively bomb-free sand in them! Sadly, desert sand doesn’t work for construction because of its chemical composition. So for now we’re stuck using a resource that is only renewable on an extremely long timeline, as waves crash onto shores.
Check out this video from Tom Scott to learn more about the problem—and learn about illegal sand mining too!
Though it continues to air new episodes five days a week in syndication, most everyone nostalgic for The People’s Court remembers its glory days in the 1980s. Presenting real small claims cases with binding rulings, former Los Angeles Superior Court Judge Joseph Wapner, his trusty bailiff Rusty, and court reporter Doug Llewelyn became daytime television celebrities.
Premiering in 1981, The People’s Court effectively launched the on-air reality trial genre that gave us Judge Judy, Judge Mathis, and Judge Mills Lane. (The latter was previously a boxing referee.) If you still have the show’s theme stuck in your head, you’ll probably enjoy some trivia about Wapner’s history, Rusty’s ties to Charles Manson, and why one Mr. America decided to sue the show.
1. NO ONE WANTED TO AIR IT.
In the 1970s, it was not yet common practice to see cameras installed in real courtrooms. That didn’t stop producer John Masterson from approaching Let’s Make a Deal host Monty Hall in 1975 with the idea to record legal proceedings and air them on television. While the idea was well-received by Hall, networks weren’t interested. It wasn’t until a Masterson associate named Stu Billett thought to tweak the idea by replicating a courtroom and staging a kind of mock trial that the format began to show promise.
Billett’s notion to take a portion of small claims cases in Los Angeles and offer the parties arbitration in exchange for television coverage found a receptive audience at NBC. But the network didn’t want a real judge to preside: They preferred a comic—Nipsey Russell was one name floated—that would listen to the cases and make jokes while being coached off-screen by a legal expert. When Billett got television station KTLA interested, they asked him to make two pilots: one played straight and one played for laughs. Billett refused, taping only the “straight” version with retired LA County judge Joseph Wapner. After being passed up by networks—again—Billett took it directly to syndication in 1981, where it became an immediate hit.
3. WAPNER NEVER USED THE GAVEL.
Wapner had gotten a call from Billett and partner Ralph Edwards about appearing on the series as the judge. When he arrived to their offices for an audition with a real case, he found it amusing that it had been set up with a gavel—the prop was something he had never used in 20 years of law and never once picked up on the show.
An aspiring professional baseball player, Rusty Burrell came to Los Angeles in the 1950s and wound up working in the sheriff’s department. After becoming a bailiff, producers spotted him and invited him to appear on Divorce Court, a series that staged mock trials using a mix of actors and real legal professionals. (Burrell also moonlit as an actor, appearing on General Hospital.) One of the attorneys who made frequent appearances on the show was Joe Wapner, Sr.—Joe Wapner’s father. Later, when Billett began insisting they use a “sexy” female bailiff on the air, Wapner refused and told him to hire Burrell instead.
5. RUSTY WAS A BUTTERFINGERS.
In one moment from the series that got a lot of repeated play on blooper specials, Rusty was asked to show Wapner a clock that was at the center of a repair dispute between the plaintiff and defendant. When he got to Wapner’s bench, Burrell dropped the clock, damaging it. Wapner joked that it was a “cheap clock” anyway.
6. SOME CASES WERE OVER PEANUTS.
Bill Perron via YouTube
The show’s producers culled from real small claims filings in Los Angeles, enticing parties to drop out of the judicial system to come on the air and have Wapner settle their dispute in what amounted to arbitration. The appeal: The show would pay the damages, which at the time was limited to $1500 (and eventually $2000) in Los Angeles court. While that was the maximum, producers frequently got away with spending far less: Wapner once ruled on a moldy cake, awarding the plaintiff $9 for having her daughter’s birthday ruined.
7. WAPNER ONLY WORKED ONE DAY A WEEK.
Good work if you can get it. Owing to the shooting schedule of People’s Court, Judge Wapner was only needed on the bench for one day out of the work week. The production would shoot 10 cases—making for five episodes—in a single shift, leaving the rest of the week free and clear for the on-camera talent. In 2000, Wapner told Salon.com that despite his condensed schedule, he made far more as a television judge than he did while on the bench in Los Angeles County.
8. WAPNER MEDIATED A CONFLICT BETWEEN JOHNNY CARSON AND DAVID LETTERMAN.
At one point, it was reputed that Wapner was recognized by more people than Supreme Court Justice William Rehnquist. In acknowledgment of his popularity, The Tonight Show host Johnny Carson invited Wapner to mediate a “dispute” between Carson and Late Night host David Letterman in 1986 for Carson’s show: Carson once hauled away an old truck of Letterman’s, causing damage. While the hosts wanted to play it as a comedy sketch, Wapner refused to appear unless his ruling was binding. He awarded Letterman $24.95 for a new headlight.
9. RUSTY ONCE GUARDED CHARLES MANSON.
After the “Helter Skelter” murders of 1969, cult leader Charles Manson became one of the most infamous figures in American culture. During his trial in Los Angeles, Burrell was charged with guarding him on a daily basis. Burrell recalled that Manson, who sat right beside him, would say, “You know, I could get up and walk out of here any time I want.” Burrell advised him that it wouldn’t be a good idea.
With 7.5 million viewers tuning in every week during its heyday, The People’s Court offered more than just entertainment: It acted as an educational tool for people who had never before considered small claims litigation. According to a 1989 New York Times report, the series led to an increase in the number of cases filed and even had some plaintiffs citing the television cases as if they were a proper precedent. And although the show offered an immediate financial reward, “real” litigants were often surprised to discover that many defendants preferred not to pay judgments. “If Judge Wapner were here,” one was heard to lament, “he’d see that I was paid.”
11. THE SHOW’S PRODUCERS WERE SUED BY MR. AMERICA.
Not all resolutions were respected by the litigating parties. In 1988, former Mr. America Rex Ravelle sued the show’s producers for $1 million owing to Wapner’s ruling. Ravelle alleged Wapner had made him look like a “bully and a buffoon” during the proceedings, which saw him attempt to reclaim back rent owed by an evicted tenant. Wapner ruled in the defendant’s favor, prompting Ravelle to file the substantial lawsuit after the show ignored his request for his episode to not be broadcast. He settled for $2500.
After 12 years and more than 2400 episodes, producers decided that The People’s Court had run its course in 1993. According to Wapner, he was the last to know: His brother-in-law had read of the show’s cancelation in a local San Francisco newspaper. “It irritated me to no end for a long time,” he said. “I don’t know if it was my age. I think I had all my marbles.” (The show returned in 1997, with former New York City mayor Ed Koch presiding.)
13. WAPNER WAS NO FAN OF JUDGE JUDY.
In 2002, after 20 years on the bench and 13 on television, the then-82-year-old Wapner ruled on Judge Judy Sheindlin, his heir apparent and a presiding television judge who acted in sharp contrast to Wapner’s own even temperament. “She’s discourteous and she’s abrasive,” he told the New York Post. “She’s not slightly insulting. She’s insulting in capital letters.” Sheindlin retorted she wouldn’t engage in “mudslinging.”
Animal cases were a staple of the original People’s Court, which once had Wapner ruling on whether a cat that was supposed to be dyed blue and came out pink was worthy of financial restitution. (It was.) In 1998, Animal Planet enlisted the semi-retired judge to oversee Judge Wapner’s Animal Court, a series that pitted pet owners in disputes over grooming, vet bills, and furry custody issues. The show, which lasted two seasons, featured Rusty Burrell but not court reporter Doug Llewelyn; during the original Court, he was bitten in the knee by a plaintiff’s dog. Llewelyn got a tetanus shot.
Ninjas are a dying breed, but the Japan Ninja Council has come up with a new plan to drum up excitement around the iconic warriors. As the Associated Press reports, the organization plans to open a ninja museum in Tokyo in 2018.
The plan is part of a nationwide “Cool Japan” initiative, which aims to promote the country’s many cultural treasures leading up to the Tokyo Olympics in 2020. In addition to building a new museum, the council also plans to found an academy dedicated to instructing a new generation of ninjas. According to the AP, there’s only one true Ninja (Jinichi Kawakami, a master of the Koga ninja school) left in the country.
The covert spies were most common from the 15th to the 17th centuries, but the council insists that the values of dedication and humility the ninjas displayed are still useful today. The country’s Aichi Prefecture agrees—last year the region put out a call for six full-time ninjas in an effort to promote “warlord tourism.”
Richard Nixon was concerned that birds would make an unsightly mess on the parade route during his presidential inauguration, so he took steps to keep the birds away—but what ended up happening was way worse than some pigeon poop.
Last June, a special edition of the Star Wars: The Force Awakens soundtrack was released on vinyl, with a special bonus: holograms that appear to float above, and beneath, the discs.
In the two-disc set, each has a B-side that contains music on the outer edge of the disc, and a specially etched center area. In that center area is the nifty hologram. You set the disc playing and point a directional light (like a small flashlight) at the center area. When viewed this way, two 3D holograms appear and rotate—and you’re simultaneously playing the soundtrack! The etchings were made by Tristan Duke.
The two holograms are the Millennium Falcon and a TIE Fighter. In this video, we see the holograms in action—including a test on a vertical record player, which works just as well. Enjoy:
As a recurring feature, we share some amazing Amazon deals we’ve turned up. These items were the ones that were the most popular with our readers this week, and they’re still available.
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