10 Revealing Facts About ‘Trading Spaces’

filed under: design, Lists, News, tv
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Amazon

Earlier this month, TLC announced that it was reviving the show that put the network on the map: Trading Spaces. The home improvement show was a ratings juggernaut for the network from 2000 to 2008, netting 9 million viewers per episode at its peak.

It succeeded with a simple premise: Two couples would trade houses, each helping an interior designer redecorate a room in the swapped home. They had just 48 hours and a $1000 budget. Then, the new room would be revealed to the homeowners. Some jumped with joy, others cried loudly offscreen. Now, all that drama is set to return sometime in 2018. But before Ty Pennington (presumably) dusts off his toolbelt, here are 10 fast facts about the original series.

1. IT WAS BASED ON A BBC SHOW.

Trading Spaces shook up both TLC and reality television when it premiered on October 13, 2000. But its concept wasn’t all that revolutionary. It was actually borrowed from the BBC show Changing Rooms, which ran from 1996 through 2004. On Changing Rooms, two couples also swapped homes to complete a quick interior redesign. There was even a breakout carpenter. Ty Pennington’s UK equivalent was “Handy” Andy Kane, who went on to record a super cheesy cover of “If I Had a Hammer.”

2. PAIGE DAVIS WAS NOT THE FIRST HOST.

Although she’s probably the person most associated with Trading Spaces, Paige Davis was not the show’s original host. Alex McLeod hosted the first 40 episodes and earned a Daytime Emmy for her work. But she quit the DIY series to pursue other projects, including Joe Millionaire.

3. THERE WAS A SECRET CARPENTER.

Sebastian Artz/Getty Images

Besides Davis and its stable of designers, Trading Spaces boasted two other personalities: the carpenters. The originals were Pennington and Amy Wynn Pastor, but the pair weren’t churning out all that woodwork themselves. There was actually a third unseen carpenter, Eddie Barnard. According to Salon, he handled some of the more intensive projects but was billed only as “prop master” in the credits. Pastor felt super guilty about taking credit for his work when she first joined the show. “Every single day at the end of the shoot, I’d say, ‘I’m sorry,’” she recalled.

4. THEY WERE SERIOUS ABOUT KEEPING THE DESIGNS SECRET.

Since Trading Spaces relied on genuine reactions (be they positive or otherwise), the crew took great pains to hide any clues that might tip off the contestants. Good Housekeeping reported that sheets were hung from the windows so no one could sneak a peek inside, and any paint splotches on clothing were covered with duct tape before a producer or crew member went over to the other house.

5. COUPLES WERE ALLOWED TO DESIGNATE “PROTECTED” AREAS.

Although countless angry couples would probably dispute this, executive producer Denise Cramsey told SF Gate that their liability release forms included space to list “protected” areas. That obviously didn’t mean the entire room, but if you specified a door or piece of furniture, the designers allegedly wouldn’t touch it. If the form was blank, all your stuff was fair game.

6. THERE WERE THREE WAYS TO GET DISQUALIFIED.

YouTube

At the height of its popularity, Trading Spaces got an average of 100 to 200 submissions daily. That meant the producers could afford to be a little choosy, but according to a former contestant, there were only three grounds for disqualification. The first was if the show’s tractor-trailer couldn’t pull up to the house or there wasn’t sufficient space outside for the carpentry. The second was if the owners refused to let the designers alter “many household items like the curtains, cabinets, flooring, or furniture.” The third was if it was more than a two-minute walk between the houses. The crew was constantly doing quick runs between the locations, so if your best friends lived the next neighborhood over, you weren’t getting onto the show.

7. FANS DISCUSSED THE SHOW ON MESSAGE BOARDS AND MADE A DRINKING GAME.

Trading Spaces was popular fodder on the emerging message boards of the early internet. Fans would post about their favorite episodes or defend their preferred designers. They also created a drinking game that included rules to take a drink every time “Ty climbs into cabinetry” or “someone mentions Genevieve’s bare feet.”

8. UNHAPPY COUPLES REDID THEIR ROOMS ALMOST IMMEDIATELY.

There’s a whole YouTube category of Trading Spaces “fails” or “hate it reveals” and, unsurprisingly, the homeowners in those clips did not keep their new rooms. Some couldn’t even wait 24 hours. In 2003, The Washington Post reported that Elaine and Bernie Burke ripped the burlap curtain in their redesigned bedroom off the next morning, throwing it in their yard to protect flowers from frost. April Kilstrom and Leslie Hoover had a much harder time: They were the miserable recipients of Hildi Santo-Tomas’s infamous hay room. The designer completely covered the walls of their living room, a space they shared with a toddler and baby, with strands of straw. According to SF Gate, it took the partners and three other adults 17 hours just to strip all the glue.

9. SOME OF THE DESIGNERS STAYED ON TV.

After Trading Spaces ended in 2008, some designers (like Santo-Tomas) faded into relative obscurity. But a few stayed onscreen through new home decorating shows. Vern Yip appeared on HGTV’s Deserving Design and also served as a judge on the same network’s Design Star. Doug Wilson stayed on TLC as the host of Moving Up. Genevieve Gorder became a regular HGTV all-star, with credits including Dear Genevieve, Design Star, and Genevieve’s Renovation under her belt. She’s now a frequent contributor to The Rachael Ray Show.

10. GENEVIEVE GORDER ALSO DESIGNED HER OWN QVC LINE.

Gorder also debuted a QVC bedding line back in 2010. It’s currently unavailable, but you can still find her rugs at Bed, Bath & Beyond.


April 26, 2017 – 10:00am

Everything That’s Leaving Netflix in May

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YouTube

Netflix has got a lot to offer its customers next month, with more than 75 new entries being added to its library—including more than two dozen Netflix originals, with new seasons of House of Cards, Unbreakable Kimmy Schmidt, and Master of None among them. Which means the streaming network has to lose a handful of titles, too—some of them more disappointing than others. (What About Bob? and Grosse Point Blank will say goodbye, as will all of Scrubs.) Here’s everything leaving Netflix in May.

May 1

11 Blocks (2015)
Alfie (2004)
America’s Secret D-Day Disaster (2014)
Apocalypse: World War II: Season 1 (2009)
Bang Bang! (2014)
Bombs, Bullets, and Fraud (2007)
China’s Forbidden City (2008)
Civil War 360 (2013)
Contact (1997)
David Attenborough’s Rise of the Animals: Triumph of the Vertebrates (2013)
Day of the Kamikaze (2007)
Doomsdays (2013)
Fantastic Four (2005)
Flicka: Country Pride (2012)
Good Will Hunting (1997)
Heart of the Country (2013)
Invincible (2006)
Jetsons: The Movie (1990)
Jurassic Park (1993)
Jurassic Park III (2001)
Last: Season 1 (2015)
Loosies (2011)
Monkeybone (2001)
Mystery Files: Hitler (2011)
Mystery Files: Leonardo da Vinci (2010)
Ninja: Shadow Warriors (2012)
Once Upon a Time in the West (1968)
Psychic Investigators: Season 2 (2009)
Robin Hood: Prince of Thieves (1991)
Robinson Crusoe on Mars (1964)
Samurai Headhunters (2013)
Secrets of the Third Reich: Season 1 (2014)
Secrets: A Viking Map? (2013)
Secrets: Golden Raft of El Dorado (2013)
Secrets: Richard III Revealed (2013)
Shuttle Discovery’s Last Mission (2013)
Sinister (2012)
Small Soldiers (1998)
Speed Kills: Seasons 1-2
Stripped (2014)
The Day Kennedy Died (2013)
The Doors (1991)
The House on Telegraph Hill (1951)
The Human Centipede 2: Full Sequence (2011)
The Lost World: Jurassic Park (1997)
The Real Story: Season 1 (2010)
The Sons of Katie Elder (1965)
Things We Lost in the Fire (2007)
Titanic’s Final Mystery (2012)
To Catch a Thief (1955)
Truly Strange: The Secret Life of Breasts (2014)
Turf War: Lions and Hippos (2009)
Turnaround Jake (2014)
Urban Legends: Season 3 (2010)

May 2

A.N.T Farm: Seasons 1-3
Blue Exorcist: Season 1
Good Luck Charlie: Season 1 – 4
Kickin’ It: Seasons 1 – 4
Scrubs: Season 1 – 9
Totally Spies!: Season 1
Twisted: Season 1

May 5

Amapola
Flubber
Grosse Pointe Blank
The Recruit
What About Bob?

May 7

Bob’s Burgers: Seasons 1-2
American Dad!: Season 7

May 11

American Dad!: Season 8

May 15

Anthony Bourdain: Parts Unknown: Seasons 1 – 5

May 17

American Dad!: Seasons 9 – 10

May 19

Step Up (2006)

May 26

Graceland: Seasons 1 – 3


April 26, 2017 – 9:30am

Every New Movie and TV Series Coming to Netflix in May

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Netflix

Netflix’s April slate of new movies and TV shows was full of original programming, with a range of new titles—including Mystery Science Theater 3000: The Return, The Get Down: Part 2, and Bill Nye Saves the World—making their debut. May will see a continuation of that trend (and what has largely become Netflix’s programming strategy) with more than two dozen movies, series, documentaries, and comedy specials that are exclusive to the streaming network. This, of course, includes the return of House of Cards, Unbreakable Kimmy Schmidt, and Master of None. Plus The Keepers, which is being touted as the next Making a Murderer. We’re all in!

Here’s every new movie, series, documentary, and special coming to Netflix in May.

May 1

American Experience: The Big Burn (2014)
American Experience: The Boys of ’36 (2017)
Anvil! The Story of Anvil (2008)
Blood on the Mountain (2016)
Chaahat (1996)
Chocolat (2000)
Decanted (2016)
Don’t Think Twice (2016)
Drifter (2017)
Forrest Gump (1994)
Happy Feet (2006)
In the Shadow of Iris (2017)
Love (2015)
Losing Sight of Shore (2017)
Malibu’s Most Wanted (2003)
Nerdland (2016)
Raja Hindustani (1996)
Richard Pryor: Icon (2014)
Under Arrest: Season 5 (2016)

May 2

Bodyguards: Secret Lives from the Watchtower (2016)
Hija De La Laguna (2015)
Maria Bamford: Old Baby (2017)
Two Lovers and a Bear (2016)

May 5

Chelsea: Season 2
Handsome: A Netflix Mystery Movie (2017)
Kazoops!: Season 3
Sense8: Season 2
Simplemente Manu NNa
Spirit: Riding Free: Season 1
The Last Kingdom: Season 2
The Mars Generation

May 6

Cold War 2 (2016)
When the Bough Breaks (2017)

May 7

LoveTrue (2016)
Stake Land II (2016)
The Host (2013)

May 8

Beyond the Gates (2016)
Hunter Gatherer (2016)

May 9

Norm Macdonald: Hitler’s Dog, Gossip & Trickery
Queen of the South
: Season 1 (2016)
All We Had (2016)

May 10

El apóstata (2015)
The Adventure Club (2016)

May 11

Switched at Birth: Season 5 (2017)
The Fosters: Season 4 (2016)

May 12

All Hail King Julien: Exiled: Season 1
Anne with an E: Season 1
Get Me Roger Stone
Master of None: Season 2
Mindhorn (2017)
Sahara (2017)

May 15

Command and Control (2016)
Cave (2016)
Lovesong (2016)
Sherlock: Series 4 (2016)
The Intent (2016)

May 16

Tracy Morgan: Staying Alive
The Break-Up (2006)
The Place Beyond the Pines (2012)

May 18

Royal Pains: Season 8 (2016)
Riverdale: Season 1 (2016)

May 19

BLAME! (2017)
Laerte-se
The Keepers: Season 1
Unbreakable Kimmy Schmidt: Season 3

May 21

What’s With Wheat (2017)

May 22

Inglourious Basterds (2009)
They Call Us Monsters (2017)

May 23

Hasan Minhaj: Homecoming King
Dig Two Graves (2014)

May 24

Southpaw (2015)

May 26

Believe (2016)
Bloodline: Season 3
I am Jane Doe (2017)
Joshua: Teenager vs. Superpower
War Machine (2017)

May 28

Bunk’d: Season 2 (2016)

May 29

Forever Pure (2016)
A New High (2015)

May 30

F is for Family: Season 2
House of Cards: Season 5
Marvel’s Doctor Strange (2016)
Masterminds
Sarah Silverman A Speck of Dust


April 26, 2017 – 8:30am

Nordstrom is Selling Jeans Covered in Fake Dirt. They Cost $425.

filed under: fashion, News
Image credit: 

by Jeva Lange

The worst part about yard work is, well, the work. The best part, as Nordstrom knows, is running to the bar afterward in your muddy pants so everyone knows, “Yeah, I did yard work today.”

Now you don’t even have to do the inconvenient “work” part. For $425 and free shipping, Nordstrom is selling pre-muddied jeans that tell everyone “you’re not afraid to get down and dirty,” Fox News reports.

The “crackled, caked-on muddy coating” irritated Mike Rowe, the host of the Discovery Channel series Dirty Jobs. On Facebook he ranted: “The Barracuda Straight Leg Jeans aren’t pants. They’re not even fashion. They’re a costume for wealthy people who see work as ironic—not iconic.”

Also From The Week

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Delightfully Trippy Vintage Illustrations of Futuristic Space Colonies


April 25, 2017 – 2:30pm

10 Fascinating Facts About Ella Fitzgerald

Image credit: 

Library of Congress (LOC), Public Domain, Wikimedia Commons

Today marks what would have been the 100th birthday of Ella Fitzgerald, the pioneering jazz singer who helped revolutionize the genre. But the iconic songstress’s foray into the music industry was almost accidental, as she had planned to show off her dancing skills when she made her stage debut. Celebrate the birthday of the artist known as the First Lady of Song, Queen of Jazz, or just plain ol’ Lady Ella with these fascinating facts.

1. SHE WAS A JAZZ FAN FROM A YOUNG AGE.

Though she attempted to launch her career as a dancer (more on that in a moment), Ella Fitzgerald was a jazz enthusiast from a very young age. She was a fan of Louis Armstrong and Bing Crosby, and truly idolized Connee Boswell of the Boswell Sisters. “She was tops at the time,” Fitzgerald said in 1988. “I was attracted to her immediately. My mother brought home one of her records, and I fell in love with it. I tried so hard to sound just like her.”

Carl Van Vechten – Library of Congress, Public Domain, Wikimedia Commons

2. SHE DABBLED IN CRIMINAL ACTIVITIES AS A TEENAGER.

Fitzgerald’s childhood wasn’t an easy one. Her stepfather was reportedly abusive to her, and that abuse continued following the death of Fitzgerald’s mother in 1932. Eventually, to escape the violence, she moved to Harlem to live with her aunt. While she had been a great student when she was younger, it was following that move that her dedication to education faltered. Her grades dropped and she often skipped school. But she found other ways to fill her days, not all of them legal: According to The New York Times, she worked for a mafia numbers runner and served as a police lookout at a local brothel. Her illicit activities eventually landed her in an orphanage, followed by a state reformatory.

3. SHE MADE HER STAGE DEBUT AT THE APOLLO THEATER.

In the early 1930s, Fitzgerald was able to make a little pocket change from the tips she made from passersby while singing on the streets of Harlem. In 1934, she finally got the chance to step onto a real (and very famous) stage when she took part in an Amateur Night at the Apollo Theater on November 21, 1934. It was her stage debut.

The then-17-year-old managed to wow the crowd by channeling her inner Connee Boswell and belting out her renditions of “Judy” and “The Object of My Affection.” She won, and took home a $25 prize. Here’s the interesting part: She entered the competition as a dancer. But when she saw that she had some stiff competition in that department, she opted to sing instead. It was the first big step toward a career in music.

4. A NURSERY RHYME HELPED HER GET THE PUBLIC’S ATTENTION.

Not long after her successful debut at the Apollo, Fitzgerald met bandleader Chick Webb. Though he was initially reluctant to hire her because of what The New York Times described as her “gawky and unkempt” appearance, her powerful voice won him over. “I thought my singing was pretty much hollering,” she later said, “but Webb didn’t.”

Her first hit was a unique adaptation of “A-Tisket, A-Tasket,” which she helped to write based on what she described as “that old drop-the-handkerchief game I played from 6 to 7 years old on up.”

5. SHE WAS PAINFULLY SHY.

Though it certainly takes a lot of courage to get up and perform in front of the world, those who knew and worked with Fitzgerald said that she was extremely shy. In Ella Fitzgerald: A Biography of the First Lady of Jazz, trumpeter Mario Bauzá—who played with Fitzgerald in Chick Webb’s orchestra—explained that “she didn’t hang out much. When she got into the band, she was dedicated to her music … She was a lonely girl around New York, just kept herself to herself, for the gig.”

6. SHE MADE HER FILM DEBUT IN AN ABBOTT AND COSTELLO MOVIE.

YouTube

As her IMDb profile attests, Fitzgerald contributed to a number of films and television series over the years, and not just to the soundtracks. She also worked as an actress on a handful of occasions (often an actress who sings), beginning with 1942’s Ride ‘Em Cowboy, a comedy-western starring Bud Abbott and Lou Costello.

7. SHE GOT SOME HELP FROM MARILYN MONROE.

“I owe Marilyn Monroe a real debt,” Fitzgerald said in a 1972 interview in Ms. Magazine “It was because of her that I played the Mocambo, a very popular nightclub in the ‘50s. She personally called the owner of the Mocambo and told him she wanted me booked immediately, and if he would do it, she would take a front table every night. She told him—and it was true, due to Marilyn’s superstar status—that the press would go wild. The owner said yes, and Marilyn was there, front table, every night. The press went overboard … After that, I never had to play a small jazz club again. She was an unusual woman—a little ahead of her times. And she didn’t know it.”

Though it has often been reported that the club’s owner did not want to book Fitzgerald because she was black, it was later explained that his reluctance wasn’t due to Fitzgerald’s race; he apparently didn’t believe that she was “glamorous” enough for the patrons to whom he catered.

8. SHE WAS THE FIRST AFRICAN-AMERICAN WOMAN TO WIN A GRAMMY.

William P. Gottlieb – LOC, Public Domain, Wikimedia Commons

Among her many other accomplishments, in 1958 Fitzgerald became the first African-American woman to win a Grammy Award. Actually, she won two awards that night: one for Best Jazz Performance, Soloist for Ella Fitzgerald Sings the Duke Ellington Songbook, and another for Best Female Pop Vocal Performance for Ella Fitzgerald Sings the Irving Berlin Songbook.

9. HER FINAL PERFORMANCE WAS AT CARNEGIE HALL.

On June 27, 1991, Fitzgerald—who had, at that point, recorded more than 200 albums—performed at Carnegie Hall. It was the 26th time she had performed at the venue, and it ended up being her final performance.

10. SHE LOST BOTH OF HER LEGS TO DIABETES.

In her later years, Fitzgerald suffered from a number of health problems. She was hospitalized a handful of times during the 1980s for everything from respiratory problems to exhaustion. She also suffered from diabetes, which took much of her eyesight and led to her having to have both of her legs amputated below the knee in 1993. She never fully recovered from the surgery and never performed again. She passed away at her home in Beverly Hills on June 15, 1996.


April 25, 2017 – 10:00am

30 Fierce Barbra Streisand Quotes for Her 75th Birthday

Image credit: 
Terry Fincher/Express/Getty Images

Barbra Streisand is an artist of many talents. In addition to her famed singing and songwriting career, she’s also a celebrated actress and filmmaker with a host of accolades and awards—including two Oscars, nine Golden Globes, 10 Grammys, six Emmys, and one Tony—on her resume. While she may be one of the best-selling artists of all time, what truly makes her memorable is her total originality. While her creative talents made her a star, her no-nonsense attitude has made her an icon, as evidenced by the quotes below.

1. ON HER WILD YOUTH.

“I was kind of a wild child. I wasn’t taught the niceties of life.”

2. ON PURSUING YOUR DREAMS.

“As a young woman, I wanted nothing more than to see my name in lights.”

3. ON REMAINING TRUE TO ONESELF.

“I arrived in Hollywood without having my nose fixed, my teeth capped, or my name changed. That is very gratifying to me.”

4. ON INSTINCT.

“I go by instinct—I don’t worry about experience.”

5. ON BEING CONTRADICTORY.

Kevin Winter/Getty Images

“I was a personality before I became a person—I am simple, complex, generous, selfish, unattractive, beautiful, lazy, and driven.”

6. ON TRUSTING YOURSELF.

“You have got to discover you, what you do, and trust it.”

7. ON THE DEFINITION OF SUCCESS.

“Success to me is having 10 honeydew melons and eating only the top half of each slice.”

8. ON APPLAUSE.

“What does it mean when people applaud? Should I give ’em money? Say thank you? Lift my dress? The lack of applause—that I can respond to.”

9. ON BAD REVIEWS.

“I wish I could be like [George Bernard] Shaw, who once read a bad review of one of his plays, called the critic, and said: ‘I have your review in front of me and soon it will be behind me.’”

10. ON THE DEFINITION OF “EGO.”

Emma McIntyre/Getty Images

“To have ego means to believe in your own strength. And to also be open to other people’s views. It is to be open, not closed. So, yes, my ego is big, but it’s also very small in some areas. My ego is responsible for my doing what I do—bad or good.”

11. ON DOUBLE STANDARDS.

“Men are allowed to have passion and commitment for their work … a woman is allowed that feeling for a man, but not her work.”

12. ON SAYING WHAT’S ON YOUR MIND.

“I knew that with a mouth like mine, I just had to be a star or something.”

13. ON THE LESS GLAMOROUS SIDE OF SHOW BUSINESS.

“I don’t enjoy public performances and being up on a stage. I don’t enjoy the glamour. Like tonight, I am up on stage and my feet hurt.”

14. ON GETTING IT RIGHT.

Harry Benson/Express/Getty Images

“I don’t care what you say about me. Just be sure to spell my name wrong.”

15. ON FOLLOWING YOUR HEART.

“Nobody on this earth has the right to tell anyone that their love for another human being is morally wrong.”

16. ON THE IMPORTANCE OF TRUTH.

“I can take any truth; just don’t lie to me.”

17. ON KEEPING IT SIMPLE.

“I like simple things. Elastic waists, so I can eat.”

18. ON WHY BEING “DIFFICULT” CAN BE A GOOD THING.

“I’ve been called many names like perfectionist, difficult and obsessive. I think it takes obsession, takes searching for the details for any artist to be good.”

19. ON LIMITATIONS.

“I just don’t want to be hampered by my own limitations.”

20. ON THE TRUTHFULNESS OF AN AUDIENCE.

“The audience is the best judge of anything. They cannot be lied to. Truth brings them closer. A moment that lags—they’re gonna cough.”

21. ON FINDING THE PERFECT MATCH.

Sonia Moskowitz/Getty Images

“What is exciting is not for one person to be stronger than the other … but for two people to have met their match and yet they are equally as stubborn, as obstinate, as passionate, as crazy as the other.”

22. ON THE FUTILITY OF MYTHS.

“Myths are a waste of time. They prevent progression.”

23. ON THE NATURE OF PERFORMING.

“Performing, for me, has always been a very inner process.”

24. ON THE DOWNSIDE OF STARDOM.

Terry Fincher/Express/Getty Images

“I think when I was younger, I wanted to be a star, until I became a star, and then it’s a lot of work. It’s work to be a star. I don’t enjoy the stardom part. I only enjoy the creative process.”

25. ON THE TROUBLE WITH LOVE.

“Sometimes you resent the people you love and need the most. Love is so fascinating in all its forms, and I think everyone who has ever been a mother will relate to this.”

26. ON THE IMPORTANCE OF DOUBTING YOURSELF.

“Doubt can motivate you, so don’t be afraid of it. Confidence and doubt are at two ends of the scale, and you need both. They balance each other out.”

27. ON AMBITION.

“I’ve always liked working really hard and then doing nothing in particular. So, consequently, I didn’t overexpose myself; I guess I maintained a kind of mystery. I wasn’t ambitious.”

28. ON CONSTANTLY EVOLVING.

“I’m a work in progress.”

29. ON HER FAMOUS NOSE.

“I’ve considered having my nose fixed. But I didn’t trust anyone enough. If I could do it myself with a mirror.”

30. ON BEING AN ORIGINAL.

Alex Wong/Getty Images

“I guess if you have an original take on life, or something about you is original, you don’t have to study people who came before you. You don’t have to mimic anybody. You just have a gut feeling inside, an instinct that tells you what’s right for you, and you can’t do it in any other way.”


April 24, 2017 – 10:00am

5 Fast Facts About Nancy Kerrigan

Image credit: 

Andrew H. Walker/Getty Images for The Buoniconti Fund

Google Nancy Kerrigan’s name and the first batch of results will mainly be articles about the brutal knee injury she sustained, courtesy of an assailant hired by fellow skater Tonya Harding’s ex-husband, right before the 1994 Olympics in Lillehammer, Norway. Yet Kerrigan is much more than a victim of that attack, even though Hollywood keeps making documentaries and feature films about the incident. Despite the injury, Kerrigan won a silver medal at Lillehammer (after previously winning a bronze at the 1992 Winter Olympics in Albertville, France).

Currently, Kerrigan and dance partner Artem Chigvintsev are competing on the new season of Dancing with the Stars; as of this writing, the couple is still in it. Here are five things to know about the wannabe Mirror Ball trophy winner.

1. HER MOTHER IS LEGALLY BLIND.

In 1972, Nancy’s mom, Brenda, lost complete sight in her left eye—and most of the sight in her right eye—and became legally blind because of a rare virus. When Nancy’s parents attended the Albertville Olympics, they had to sit underneath the stands and watch the performance on a TV. “It’s made it possible for me to see 100 percent more than I would in the stands, but not the way you do,” Brenda told The New York Times in 1992. “I never can see her face.” Kerrigan set up a charity, The Nancy Kerrigan Foundation, to raise money for the vision impaired.

2. SHE MADE HISTORY AT THE 1991 WORLD FIGURE SKATING CHAMPIONSHIPS.

Bob Martin/ALLSPORT/Getty Images

During the 1991 World Figure Skating Championships held in Munich 10 months before the 1992 Olympic Games, Kristi Yamaguchi, Harding, and Kerrigan all won medals; it was the first time the same country had swept the women’s medal stand. (American men did this in 1956.) Yamaguchi won gold at Albertville, Kerrigan won bronze, and Harding finished fourth.

Like Kerrigan, Yamaguchi also competed on DWTS; she danced with Mark Ballas during season six—and won. Wishing her former competitor Kerrigan luck, Yamaguchi tweeted “break a leg” to Kerrigan (which, in hindsight, might not have been the best way of rooting Kerrigan on).

3. SHE WROTE A BOOK ON FIGURE SKATING.

In 2002, Kerrigan published a book on how to figure skate. In Artistry on Ice: Figure Skating Skills & Style, she writes about advanced techniques, competition, choreography, and costumes (she competed in designer costumes created by Vera Wang).

4. SHE’S CURRENTLY PRODUCING A DOCUMENTARY.

Kerrigan recently told People about how she developed an eating disorder after the traumatic events at the 1994 Olympics. All the media scrutiny caused her to feel like “everything else was really out of control at the time,” she said. “I would avoid food because it was something I could do. I felt like I could control that and nothing else.” She wasn’t anorexic, but she did stop eating for a period.

With encouragement from her manager and family, she slowly started eating more. Kerrigan is producing a documentary on eating disorders called Why Don’t You Lose 5 More Pounds, due out next year. The doc will feature interviews with other women who have suffered through extreme eating issues.

5. A BIG-SCREEN VERSION OF THE TONYA HARDING INCIDENT IS COMING TO A THEATER NEAR YOU.

ERIC FEFERBERG/AFP/Getty Images

I, Tonya, a big-screen recounting of Harding’s rise to fame (and fall from grace) is currently in production. Directed by Craig Gillespie, the film will focus mainly on Harding, who will be played by Margot Robbie. Caitlin Carver, who appeared in the film adaptation of John Green’s Paper Towns, will play Kerrigan.


April 22, 2017 – 12:00pm

This New ‘Game of Thrones’ Theory Might Blow Your Mind

Image credit: 
Helen Sloan/HBO

Before we get into any of this, if you’re not caught up on HBO’s Game of Thrones, we’re about to unleash a whole lot of spoilers. (Same goes for all of the published books.) So if you haven’t finished watching the sixth season, go do that now. Then come back.

By now, even the most casual Game of Thrones watchers know that when there are still a few months to kill before the new season premieres (in this case, season seven on July 16), any hint at what the next episodes will bring is enough to get the creative wheels turning in a serious fan’s head. Which is why, at various times over the years, we’ve reported on several fan theories—some of them plausible, some of them kookier than Lady Lysa Arryn.

One of the theories that has long been debated by viewers revolves around a vision that Daenerys has in George R.R. Martin’s book series, A Song of Fire and Ice. The vision is of her brother, Rhaegar Targaryen, who talks about his son as “the prince that was promised.” In the vision, Rhaegar also says “there must be one more … the dragon has three heads.” As Nerdist reports, “it has long been assumed that in order to ride a dragon—and in turn be one of the three heads to ride Dany’s kiddies into the future to save Westeros from the White Walkers—one must have Targaryen blood.”

We got one step closer to figuring out who this dragon-riding trio might be when it was revealed in season six that Jon Snow, the supposed bastard son of Ned Stark, is actually the son of Lyanna Stark (Ned’s sister) and Rhaegar, which makes him Daenerys’s nephew. Rather than bask in the joy of finally knowing for sure who Jon’s parents were, fans immediately began wondering about that third head—and how it might play into another popular fan theory that asserts that Tyrion Lannister is not a Lannister at all, but the product of an affair between Joanna Lannister and Aerys II Targaryen (a.k.a. the Mad King).

This is where we get to the new theory we promised: Over at Mashable, Alex Hazlett has laid out an extremely detailed—and very believable—idea that it’s that Kingslayer Jaime Lannister who, in fact, has the Targaryen blood and is being set up to become the show’s true hero. To understand the nuances of Hazlett’s theory, you’ll want to read her piece in full. But if you go in a skeptic, be forewarned that she has photographic proof … well, sort of.

The picture above, one of the promotional images for season seven, is what sparked the theory because of one tiny detail: that shiny sword. Remember that prince that was promised? Well, he’ll carry a burning sword known as Lightbringer with him, and he’ll use it to wreak all sorts of havoc before he can begin on his path to redemption. (Nerdist breaks that all down here.)

It’s an intriguing theory, to be sure, and one that would open the door to a variety of surprising—and bloody—storylines. (Hey, it’s Game of Thrones.) For now, we’ll all just have to wait and wonder.


April 22, 2017 – 1:00am

14 Deep Facts About ‘Valley of the Dolls’

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Based on Jacqueline Susann’s best-selling 1966 novel (which sold more than 30 million copies), Valley of the Dolls was a critically maligned film that somehow managed to gross $50 million when it was released nearly 50 years ago, in December 1967. Both the film and the novel focus on three young women—Neely O’Hara (Patty Duke), Jennifer North (Sharon Tate), and Anne Welles (Barbara Parkins)—who navigate the entertainment industry in both New York City and L.A., but end up getting addicted to barbiturates, a.k.a. “dolls.”

Years after its original release, the film became a so-bad-it’s-good classic about the perils of fame. John Williams received his first of 50 Oscar nominations for composing the score. Mark Robson directed it, and he notoriously fired the booze- and drug-addled Judy Garland, who was cast to play aging actress Helen Lawson (Susan Hayward took over), who was supposedly based on Garland. (Garland died on June 22, 1969 from a barbituate overdose.) Two months after Garland’s sudden demise, the Manson Family murdered the very pregnant Tate in August 1969.

Despite all of the glamour depicted in the movie and novel, Susann said, “Valley of the Dolls showed that a woman in a ranch house with three kids had a better life than what happened up there at the top.” A loose sequel, Beyond the Valley of the Dolls—which was written by Roger Ebert—was released in 1970, but it had little to do with the original. In 1981, a TV movie updated the Dolls. Here are 14 deep facts about the iconic guilty pleasure.

1. JACQUELINE SUSANN DIDN’T LIKE THE MOVIE.

To promote the film, the studio hosted a month-long premiere party on a luxury liner. At a screening in Venice, Susann said the film “appalled” her, according to Parkins. She also thought Hollywood “had ruined her book,” and Susann asked to be taken off the boat. At one point she reportedly told Robson directly that she thought the film was “a piece of sh*t.”

2. BARBARA PARKINS WAS “NERVOUS” TO WORK WITH JUDY GARLAND.

Barbara Parkins had only been working with Judy Garland for two days when the legendary actress was fired for not coming out of her dressing room (and possibly being drunk). “I called up Jackie Susann, who I had become close to—I didn’t call up the director strangely enough—and I said, ‘What do I do? I’m nervous about going on the set with Judy Garland and I might get lost in this scene because she knows how to chew up the screen,’” Parkins told Windy City Times. “She said, ‘Honey, just go in there and enjoy her.’ So I went onto the set and Judy came up to me and wrapped her arms around me and said, ‘Oh, baby, let’s just do this scene,’ and she was wonderful.”

3. WILLIAM TRAVILLA BASED THE FILM’S COSTUMES ON THE WOMEN’S LIKES.

Costume designer William Travilla had to assemble 134 outfits for the four leading actresses. “I didn’t have a script so I read the book and then the script once I got one,” he explained of his approach to the film. “I met with the director and producer and asked how they felt about each character and then I met with the girls and asked them what they liked and didn’t like and how they were feeling. Then I sat down with my feelings and captured their feelings, too.”

4. SUSANN THOUGHT GARLAND “GOT RATTLED.”

In an interview with Roger Ebert, Susann offered her thoughts on why Garland was let go. “Everybody keeps asking me why she was fired from the movie, as if it was my fault or something,” she said. “You know what I think went wrong? Here she was, raised in the great tradition of the studio stars, where they make 30 takes of every scene to get it right, and the other girls in the picture were all raised as television actresses. So they’re used to doing it right the first time. Judy just got rattled, that’s all.”

5. PATTY DUKE PARTIALLY BLAMES THE DIRECTOR’S BEHAVIOR FOR GARLAND’S EXIT.

During an event at the Castro Theatre, Duke discussed working with Garland. “The director, who was the meanest son of a bitch I ever met in my life … the director, he kept this icon, this sparrow, waiting and waiting,” Duke said. “She had to come in at 6:30 in the morning and he wouldn’t even plan to get to her until four in the afternoon. She was very down to earth, so she didn’t mind waiting. The director decided that some guy from some delicatessen on 33rd Street should talk to her, and she crumbled. And she was fired. She shouldn’t have been hired in the first place, in my opinion.”

6. DUKE DIDN’T SING NEELY’S SONGS.

All of Neely’s songs in the movie were dubbed, which disappointed Duke. “I knew I couldn’t sing like a trained singer,” she said. “But I thought it was important for Neely maybe to be pretty good in the beginning but the deterioration should be that raw, nerve-ending kind of the thing. And I couldn’t convince the director. They wanted to do a blanket dubbing. It just doesn’t have the passion I wanted it to have.”

7. GARLAND STOLE ONE OF THE MOVIE’S COSTUMES.

Garland got revenge in “taking” the beaded pantsuit she was supposed to wear in the movie, and she was unabashed about it. “Well, about six months later, Judy’s going to open at the Palace,” Duke said. “I went to opening night at the Palace and out she came in her suit from Valley of the Dolls.”

8. A SNEAK PREVIEW OF THE FILM HID THE TITLE.

Fox held a preview screening of the film at San Francisco’s Orpheum Theatre, but the marquee only read “The Biggest Book of the Year.” “And the film was so campy, everyone roared with laughter,” producer David Brown told Vanity Fair. “One patron was so irate he poured his Coke all over Fox president Dick Zanuck in the lobby. And we knew we had a hit. Why? Because of the size of the audience—the book would bring them in.”

9. IT MARKED RICHARD DREYFUSS’S FILM DEBUT.

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Richard Dreyfuss made his big-screen debut near the end of Valley of the Dolls, playing an assistant stage manager who knocks on Neely’s door to find her intoxicated. After appearing on several TV shows, this was his first role in a movie, but it was uncredited. That same year, he also had a small role in The Graduate. Dreyfuss told The A.V. Club he was in the best film of 1967 (The Graduate) and the worst (Valley of the Dolls). “But then one day I realized that I had never actually seen Valley of the Dolls all the way through, so I finally did it,” he said. “And I realized that I was in the last 45 seconds of the worst film ever made. And I watched from the beginning with a growing sense of horror. And then I finally heard my line. And I thought, ‘I’ll never work again.’ But I used to make money by betting people about being in the best and worst films of 1967: No one would ever come up with the answer, so I’d make 20 bucks!”

10. THE DIRECTOR DIDN’T DIG TOO DEEP.

In the 2006 documentary Gotta Get Off This Merry Go Round: Sex, Dolls & Showtunes, Barbara Parkins scolded the director for keeping the film’s pill addiction on the surface. “The director never took us aside and said, look this is the effect,” she said. “We didn’t go into depth about it. Now, if you would’ve had a Martin Scorsese come in and direct this film, he would’ve sat you down, he would’ve put you through the whole emotional, physical, mental feeling of what that drug was doing to you. This would’ve been a whole different film. He took us to one, maybe two levels of what it’s like to take pills. The whole thing was to show the bottle and to show the jelly beans kinda going back. That was the important thing for him, not the emotional part.”

11. A STAGE ADAPTATION MADE IT TO OFF-BROADWAY.

In 1995, Los Angeles theater troupe Theatre-A-Go-Go! adapted the movie into a stage play. Kate Flannery, who’d go on to play Meredith Palmer on The Office, portrayed Neely. “Best thing about Valley of the Dolls to make fun of it is to actually just do it,” Flannery said in the Dolls doc. “You don’t need to change anything.” Parkins came to a production and approved of it. Eventually, the play headed to New York in an Off-Broadway version, with Illeana Douglas playing the Jackie Susann reporter role.

12. JACKIE SUSANN BARELY ESCAPED THE MANSON FAMILY.

By 20th Century-Fox – eBayfrontback, Public Domain, Wikimedia Commons

The night the Manson Family murdered Tate, the actress had invited Susann to her home for a dinner party. According to Vanity Fair, Rex Reed came by The Beverly Hills Hotel, where Susann was staying, and they decided to stay in instead of going to Tate’s. The next day Susann heard about the murder, and cried by the pool. A few years later, when Susann was diagnosed with cancer for the second time, she joked her death would’ve been quicker if she had gone to Tate’s that night.

13. PATTY DUKE LEARNED TO EMBRACE THE FILM.

Of all of the characters in the movie, Duke’s Neely is the most over-the-top. “I used to be embarrassed by it,” Duke said in a 2003 interview. “I used to say very unkind things about it, and through the years there are so many people who have come to me, or written me, or emailed who love it so, that I figured they all can’t be wrong.” She eventually appreciated the camp factor. “I can have fun with that,” she said. “And sometimes when I’m on location, there will be a few people who bring it up, and then we order pizza and rent a VCR and have a Valley night, and it is fabulous.”

14. LEE GRANT DOESN’T THINK IT’S THE WORST MOVIE EVER MADE.

In 2000, Grant, Duke, and Parkins reunited on The View. “It’s the best, funniest, worst movie ever made,” Grant stated. She then mentioned how she and Duke made a movie about killer bees called The Swarm. “Valley of the Dolls was like genius compared to it,” Grant said.


April 21, 2017 – 6:00pm

All National Parks Are Offering Free Admission This Weekend

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Looking for something to do this weekend that’s both outdoorsy and free? In celebration of National Park Week, you can visit any one of the more than 400 parks included within the National Park Service for free.

While the majority of the NPS’s parks are free year-round, they’ll be waiving admission fees to the 117 parks that normally require an entrance fee. Which means that you can pay a visit to the Grand Canyon, Death Valley, Yosemite, or Yellowstone National Parks without reaching for your wallet. The National Park Service, which celebrated its 100th birthday last year, maintains 417 designated NPS areas that span more than 84 million acres in every state, plus Washington, D.C., American Samoa, Guam, Puerto Rico, and the Virgin Islands.

If you can’t make it to the great outdoors this weekend, you can tag along with Hamilton star Jordan Fisher, who took us on a tour of Alexander Hamilton’s New York City home, the Hamilton Grange National Memorial, earlier this week.


April 21, 2017 – 10:30am