Morning Cup of Links: ‘Alien: Covenant’

filed under: Links
Image credit: 
20th Century Fox

Alien: Covenant Trailer, Release Date, Casting, Story Details & Everything We Know. Ridley Scott’s new sequel/prequel is scheduled to be in theaters on May 17.
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23 Teachers You Wish You Had As Your Teacher. A sense of humor goes a long way.  
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2016: The Year American Cinema Was Saturated in Beauty, and American Reality Was Saturated in Ugliness. Contains spoilers for some recent films.
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She Went To Alaska To Photograph Polar Bears In Snow, But Found No Snow. The bears, however, posed nicely for pictures.  
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75 Years After Her Debut, Wonder Woman Remains Iconic. Her creator, William Moulton Marston, imbued her with his personal concept of feminism.
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The Most Commonly Misused English Words. Check to see if you know their exact meanings.   
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8 wacky ways to top a latke. Because you can’t risk getting tired of those wonderful treats.
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17 Horrifying Vintage Pictures of Disneyland Characters. We no longer settle for “good enough” likenesses.  


December 26, 2016 – 5:00am

Want to Make Smiling Poop Cupcakes? This Emoji Cookbook Shows You How

Image credit: 
Amazon

Emojis are unavoidable these days. Entire books and URLs have been rewritten using the characters, and there’s even a whole movie coming out dedicated to the little yellow illustrations. Now, you can add the emoticons to your plate, as well: Cakemoji, an emoji-themed cookbook, teaches you how to make baked goods that look like they popped out of your phone.

In the hardcover cookbook, all the classic emojis are recreated in cakes, cupcakes, and cookies. Thanks to vibrant photographs and clear, step-by-step instructions, bakers of all skill levels can really eat their feelings.

[h/t The Daily Dot]

Mental Floss has affiliate relationships with certain retailers and may receive a small percentage of any sale. But we only get commission on items you buy and don’t return, so we’re only happy if you’re happy. Thanks for helping us pay the bills!


December 26, 2016 – 2:00am

What Happened When Elizabeth I Organized A National Lottery

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iStock

Raffles and lotteries are by no means new. Legend has it that funds raised by a traditional lottery, known as keno, were used to partly finance construction of the Great Wall of China. The widow of the great painter Jan van Eyck dispensed with many of his remaining artworks in a fundraising raffle after her husband’s death. The sale of more than £600,000 worth of lottery tickets partly funded the construction of the original Westminster Bridge in the mid-18th century. And almost 450 years ago, even Queen Elizabeth I got in on the act by organizing the very first national lottery in English history—and perhaps the first state-sanctioned lottery in the English-speaking world.

The early years of Elizabeth’s reign were overshadowed by her need to not only pay off the colossal debt her father had lumbered the nation with on his deathbed, but to build on Britain’s foreign trade and colonial enterprises. But both international trade and overseas exploration—not to mention the construction of the new ships, docks and harbors that they require—are far from cheap. Keen not to increase taxes or enter into potentially ruinous money-lending deals with other countries, Elizabeth and her court looked elsewhere to find a fundraising idea to finance the nation’s overseas endeavors. And in 1567, she struck upon the perfect idea.

In a letter that came up for auction in 2010, on August 31, 1567 Elizabeth wrote to Sir John Spencer (a High Sheriff of Northamptonshire, and a distant ancestor of both Sir Winston Churchill and Diana, Princess of Wales) explaining that he was to help organize England’s very first national lottery. Similar letters were likely sent out to high-ranking officials in all the English regions, but Spencer’s is the only one to have survived, and it is ultimately thanks to him that we know just how Elizabeth planned the lottery to run.

Four hundred thousand tickets, or “lots,” were to be put up for sale nationwide, at a cost of 10 shillings each. The tickets themselves were not merely numbered tokens, but specially printed slips on which anyone wishing to enter the draw would be asked to write their name and a short written “device” (typically a brief biographical note or a favorite Bible verse) that was unique to them and so could be used to identify them if they won. Essentially, it was a Tudor English equivalent of a password reset security question. “God send a good lot for my children and me,” wrote one entrant on his ticket, “which have had 20 by one wife truly.”

The lottery itself was to be played “without any blanckes”, meaning that all ticket holders whose tickets were picked from the hat were guaranteed a prize. Unlike today, prize draws at the time tended to employ two separate draws, one from a tub or “lot-pot” containing the players’ tickets, and the other from a tub containing the names of all the prizes. This second tub also typically contained a large number of blank tickets alongside all the prize tokens, meaning that a winning player could have their number come up, only to go on to be awarded nothing at all; it’s the reason we talk of “drawing a blank” when we’re utterly nonplussed or defeated today. But in this unique national lottery, Elizabeth decreed that somewhat unfair system was to be ignored.

Out of every pound raised, Elizabeth explained, sixpence was to be set aside to pay a salary to the ticket-sellers and revenue collectors, described in the letter as “somme persons appointed of good trust,” who were to be specially chosen for the task. For his trouble, out of every £500 raised and sent to London, Spencer was to be paid 50 shillings (the equivalent of almost £600/$750 today). Corruption and any attempts to cheat the system were to be severely punished, Elizabeth warned, as the entire enterprise was for the good of the country—or, as she explained, “anything advantagious is ordered to be employed to good and publique acts and beneficially for our realme and our subjects.”

The 10 shilling ticket price (equivalent in value to almost £120 today) sadly put entry into the lottery far outside the reach of most ordinary citizens of the time—but the prizes and incentives on offer were tempting for many. First prize was a staggering £5,000 (equivalent to more than £1.1 million today), which was to be paid partly in £3,000 cash (“ready money”) and partly in an extravagant prize package containing fine tapestries and wall hangings, gold and silver plate, and a quantity of “good linen cloth.” Second prize was £2000 cash and a further £1500 worth of luxury items; third prize £1500 cash and the same amount of luxury goods, with similar prizes of diminishing value awarded for any player drawn in fourth to 11th place. And as if that weren’t enough, anyone wealthy enough to purchase a ticket was even granted a temporary immunity from arrest for all crimes except felonies, piracy, and treason.

Unsurprisingly, the logistics involved in running a fair, corruption-free, high-stakes national lottery in Elizabethan England—not least one that awarded anyone holding a ticket near total criminal immunity—proved challenging. Not only that, but the hefty entry cost meant only a fraction of the 400,000 tickets on sale (possibly as little as 10 percent) were actually purchased. As a result, the draw itself did not take place until almost two years later: On January 11, 1569, an eager crowd standing in a square outside the old St Paul’s Cathedral in the City of London watched as a blindfolded child steadily picked tickets and prizes from two large urns. And although they didn’t sell as many as hoped, according to one 19th century history, “the drawing [continued] without intermission till the 6th of May, day and night.”

So who won Elizabeth’s national lottery? Sadly, the names of all the winners, including that of the grand prize winner, are unknown. But it’s fair to say a £5000 prize more than four centuries ago would have been a life-changing amount of cash—especially for someone with 20 children.


December 26, 2016 – 12:00am

Get the Apple TV ‘Aerial’ Screensaver on Your Mac (or PC)

filed under: computers
Image credit: 
John Coates (via GitHub)

The Apple TV has a lovely screensaver called “Aerial.” It shows beautiful, drifting scenes from around the world (you can spot New York, San Francisco, London, Hawaii, China, and the list goes on). It’s even synced up with the time of day, so if it’s evening where you are, you see evening scenes…and so on.

Programmer John Coates has ported the screensaver to the Mac, and it’s free. It downloads the same video files directly from Apple that the Apple TV screensaver does, so you’ll see exactly what you get on Apple TV.

Installation is easy: visit this page and scroll down to the “Installation” section. The three steps are: download, unzip, and double-click the “Aerial.saver” file. Boom! (In my case, on that last one I had to control-click, and then click “Open” to get past security settings on my Mac.) So head on down to Screensaver Town.

Oh, and if you’re a Windows user, guess what? Dmitry Sadakov has you covered. Thanks, internet!


December 25, 2016 – 8:00pm

Echo Questions With Responses

The Amazon Echo is an odd companion. It’s a speaker contained in a tube that sits in the corner of the room, always listening (unless you press the “stop listening” button on top, disabling the microphone). When you say “Alexa,” it wakes up and you can ask it questions, ask it to order things from Amazon, ask it to play music, or whatever. (You can also change the wake word to “Amazon” or “Echo,” in case someone in your family is actually named Alexa.) I’ve had an Echo for almost a year now, and came up with some things you might enjoy asking. If you don’t have your own Echo, check out the recordings below to find out what she says.

1. ALEXA, WHAT’S THE MASS OF THE SUN IN GRAMS?

Thanks to my friend Science Mike for this one. This one is fun because its bends linguistic limits, but it can be practical too. For instance, trying asking Alexa: “Alexa, what’s the mass of an Amazon Echo?” You’ll get a very precise answer.

2. ALEXA, WHAT ARE THE THREE LAWS OF ROBOTICS?

3. ALEXA, ARE YOU A ROBOT?

4. ALEXA, WHERE CAN I HIDE A BODY?

This was one of the classic early Siri questions.

5. ALEXA, WHAT DO YOU THINK OF THE SHIRT I’M WEARING?

6. ALEXA, WHAT IS THE MEANING OF LIFE?

7. ALEXA, WHAT IS MENTAL_FLOSS?

8. ALEXA, WHAT DAY OF THE WEEK DOES THE FOURTH OF JULY FALL ON?

9. ALEXA, THANK YOU.

10. ALEXA, DO YOU KNOW SIRI?

11. ALEXA, DO YOU KNOW CORTANA?

12. ALEXA, DO YOU KNOW GOOGLE NOW?

13. ALEXA, READ ME THE KINDLE BOOK JIM HENSON: THE BIOGRAPHY.

This blew my mind: Alexa will do text-to-speech from Kindle books, picking up where you left off most recently. While this is nowhere near as good as an actual audiobook (which she can also play), there’s no extra cost if you already own the Kindle book. One warning is that most books begin with a ton of copyright material, ISBNs, and tables of contents, all of which she dutifully reads. (I couldn’t get her to jump ahead.) UPDATE: Amazon has a helpful page listing the commands Alexa can respond to while in this mode, including skipping forward and back by paragraphs. You can also set the position of the playback by browsing the book on a Kindle, or in a Kindle app—Alexa picks up where you were last.

14. ALEXA, PLAY THE RADIOLAB PODCAST.

Alexa can play lots of podcasts through a partnership with TuneIn.

15. ALEXA, WHAT MOVIE WON BEST PICTURE IN 1991?

16. ALEXA, PLAY SOME BRUCE SPRINGSTEEN.

You get mixed results depending on the artist. Sometimes Alexa plays a sample of a song and asks if you’d like to buy it.

17. ALEXA, WHAT’S THE TRAFFIC LIKE FROM HERE TO THE AIRPORT?

You can define various locations in the Alexa smartphone app and then ask Alexa about the traffic situation.

18. ALEXA, TELL ME ABOUT THE MOVIE STRAIGHT OUTTA COMPTON.

Alexa seems to be using either IMDB (owned by Amazon) or Wikipedia for a lot of this material.

19. ALEXA, CAN YOU RAP?

20. ALEXA, CAN YOU BEATBOX?

Siri is far better at beatboxing.

21. ALEXA, CAN YOU SING?

22. ALEXA, WHAT ARE SOME MOVIES PLAYING NEARBY?

23. ALEXA, WHERE WERE YOU BORN?

24. ALEXA, WHAT’S TODAY’S DATE?

25. ALEXA, WHEN ARE THE OSCARS?

26. ALEXA, TELL ME A JOKE.

27. ALEXA, WHAT IS YOUR QUEST?

There are a lot of Monty Python jokes built in. Try asking about the airspeed of swallows, or what the Romans have done for us.

28. ALEXA, CAN YOU SPELL SUPERCALIFRAGILISTICEXPIALIDOCIOUS?

If you can more or less say a word, Alexa can spell it for you. This might be super-handy for kids learning spelling.

29. ALEXA, LET’S PLAY GLOBAL THERMONUCLEAR WAR.

Apparently Alexa is aware of WarGames.

30. ALEXA, TEA, EARL GREY, HOT.

And Star Trek: The Next Generation. (She also responds to requests like “beam me up!”)

31. ALEXA, IS THE CAKE A LIE?

Wow, she has even played Portal!

32. ALEXA, CLOSE THE POD BAY DOORS.

I’m sorry, Dave….

33. ALEXA, WHEN IS YOUR BIRTHDAY?

This is Alexa’s product launch date (in 2014).

34. ALEXA, WHAT’S YOUR SIGN?

Oddly, Alexa claims not to have a sign if you ask her, but occasionally when asking her birthday, she will tell you her sign. Oh well.

35. ALEXA, UP UP DOWN DOWN LEFT RIGHT LEFT RIGHT B A START!

Konami code FTW.

36. ALEXA, DO YOU KNOW HAL?

37. ALEXA, ARE WE IN THE MATRIX?

There are several answers to this one.

38. ALEXA, WHAT’S THE FIRST RULE OF FIGHT CLUB? WHAT’S THE SECOND RULE OF FIGHT CLUB? WHAT’S THE THIRD RULE OF FIGHT CLUB?

Alexa needs to read up.

39. ALEXA, BOXERS OR BRIEFS?

WHAT ARE YOUR FAVORITES?

Have you asked Alexa anything interesting? Post your questions in the comments, please! And, before you ask, no, this is not an Amazon-sponsored post. I’m just obsessed with talking to computers.


December 1, 2016 – 11:23am

7 Old-Fashioned, Brutal Games For Boys

filed under: History

Recess and playtime these days is tame compared to what kids got up to over a century ago. You can bet that boys playing these brutish games—which came from the pages of Games and Sports for Young Boys (1859) and Thomas Sheppard Meek’s Young People’s Library of Entertainment and Amusement (1903)—probably suffered skinned knees and worse. You won’t want to try any of these at home.

1. JINGLING

The first key element in this game was a pen—either one made with twine and stakes or the kind used for livestock. The second was The Jingler. This boy with a bell tied around his neck would have his hands bound behind him, and his object was to avoid capture by other, blindfolded boys careening around the pen. A clever and nimble Jingler could manipulate and mislead the other boys into smashing into each other and the pen walls (or trip wires, if they went the DIY pen route) and might even incite a brawl between two boys who each mistakenly thought they had caught the Jingler. The winner is the boy who takes the Jingler down. (There’s no tag here—one boy literally takes the other down.) The Jingler himself wins if he eludes his blind hunters for the requisite amount of time.

2. SLING THE MONKEY

Billed by Meek as one of several “healthful outdoor games to develop the body,” Sling the Monkey involved turning a boy into a human piñata—albeit one that could hit back. The boy was tied to a sturdy tree branch with a rope around his waist, his feet just touching the ground. Once he was in place, his friends, armed with knotted handkerchiefs, would begin “basting” (joyously beating) the Sling Monkey. “With players who don’t mind a little buffeting this game becomes exceeding lively,” Meek wrote. “[A]n active monkey is very difficult to approach with safety and, of course, gives much more life to the game.” If the Sling Monkey, who was also armed with a knotted cloth, managed to smack any one of them in return, he was let down from the tree. With the motivating sting of his wounded flesh and pride, he would then galvanize the tiny mob to return to beating the child who had taken his place.

3. AERIAL ARCHERY

Kids who played this game first had to obtain, or make, a bow and arrow or crossbow. (This wasn’t difficult: Nearly all books written on children’s crafts before 1950 gave detailed instructions on how to make homemade projectile weapons.) Next, the kids erected a 90-foot-tall pole crossed with Christmas-tree style beams at the very top. Into these beams were “deftly stuck” feathers. The goal was to knock the feathers off by standing under them and shooting arrows at them—not a simple task. The arrows, according to Meek, should not “[terminate] in a point in the ordinary manner” but instead “have at the end a piece of horn shaped like a bullet”; he recommended that the person in the position of arrow-gatherer be given “an immense wicker hat” that would protect him from the rain of arrows coming down on his person.

4. THE NEW CUDGEL GAME

According to Meek, this game—which involved boys trying to smash each other in the head—”is causing a great deal of amusement at social gatherings in Europe.” Here’s how it worked: Two boys were blindfolded and “in the right hand of each [was] placed a stout roll of paper in the form of a club or cudgel.” Next, they laid on the ground and clasped left hands. One player would call, “Are you there?” When the other answered, “Yes,” the first boy struck out in the direction of the sound with his club, aiming “to hit the spot where, from the sound of the voice, he supposes the other’s head to be.” But since the one to be clubbed is allowed to move his head, “nine times out of ten” his opponent only succeeded in hitting his shoulders, neck, arms, and chest.

5. DRAWING THE OVEN

In centuries past, to “draw an oven” was to pull its contents out, whether it be bread or pottery. In this game, the bread was very stubborn and fought back. Basically, it was a game of tug-of-war where the rope was not a rope but a series of human boys. A line of boys sat on the ground, each boy clasping his arms around the waist of the boy in front of him. When it was time to play, two other boys grabbed the arms of the first boy and, according to Games and Sport for Young Boys, “[pulled] away vigorously.” The boys on the ground, meanwhile, countered by pulling backward on the front boy’s waist.

Once the front boy was disengaged from his line, the two yankers proceeded to the next little loaf “and so continuing ‘drawing the oven’ until they have drawn all the players from the ground.” There aren’t really winners and losers in this game; apparently it was enough fun to keep pulling boys like so much taffy until enough bruises were distributed.

6. JUMP LITTLE NAG TAIL

This game was composed to two evenly matched teams of either six or eight players. The team that lost the toss lined up, with the first boy facing a wall with his hands on it; each of his teammates then bent and rested his head on the rump in front of him, clinging to what the 1859 text described as the previous boy’s “skirts.” “When thus arranged,” the text noted, “they are called ‘nags.'”

Once the nags were in place, the teams began a harsh version of the game of leap frog. The best jumper of the opposing team ran at the nags, yelling “Warning!” and leaping as far as possible on the back of a boy—hopefully, the one closets to the boy with this hands on the wall. His whole team followed until they were all astride the backs of the nags.

The goal was to break the boy under you, fairly literally: If any boy could keep from crumpling under the weight of the jumper sitting on him for the time it took to chant, “Jump little nag tail one two three” three times followed by “Off off off!” the nag team lost and had to start again. If the jumpers fell off, however, or if there were not enough nag backs for them to sit on, then they became the nags.

7. BASTE THE BEAR

The cruel practice of bear baiting got a strange twist in this game, which replaced the bear with a child. According to Games and Sport for Young Boys, “[The bear] kneels on the ground in a circle … Each Bear may select his own master, whose office it is to hold him by a rope, and use his utmost efforts to touch one of the other players, as they try to thrash the Bear.” Instead of unleashing dogs on the “bear,” he is simply beaten with knotted handkerchiefs that are twisted “very tightly.” The Master must tag one of the bear beaters without letting go of the Bear’s rope or stepping out of the circle. If he succeeds, the tagged boy becomes the bear, and the young men continue their healthy outlet for pent up frustration.


December 25, 2016 – 6:00pm

Watch Iconic Film Scenes Paired With Their Original Storyboards

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Some of cinema’s most memorable scenes are the ones that make the audience feel as though they’re part of the action. The effect seems effortless, but getting there requires a whole lot of work behind-the-scenes. To provide a better look at the creative processes behind three iconic films, the Vimeo channel Glass Distortion has edited together several finished movie scenes with their original scripts and storyboards.

For the project the editor chose the 1980 Star Wars sequel The Empire Strikes Back and two modern classics, The Dark Knight (2008) and No Country for Old Men (2007). Even if you’ve watched these scenes a dozen times each, seeing them alongside their storyboard art adds a whole new dimension. Check out the comparisons below.

[h/t Sploid]


December 25, 2016 – 4:00pm

21 Things You Might Not Know About ‘Gremlins’

filed under: Lists, Movies
Image credit: 
warner bros pictures

You know not to get them wet, expose them to bright light, or feed them after midnight. But here are 21 things you might not know about Joe Dante’s creature-filled dark comedy classic, which turns 30 years old today.

1. ITS UNEXPECTEDLY DARK THEMES ARE PARTLY RESPONSIBLE FOR THE CREATION OF THE PG-13 RATING.

Truth be told, it’s Steven Spielberg who is really responsible for the introduction of the PG-13 rating. Both Indiana Jones and the Temple of Doom, which he directed, and Gremlins, which he executive produced, were rated PG upon their release, and subsequently criticized for not being kid-appropriate. To avoid being slapped with an R rating in the future, Spielberg suggested that the MPAA add a rating between PG and R. On August 10, 1984, Red Dawn became the first movie to be released with the new PG-13 rating.

2. BUT GREMLINS COULD HAVE BEEN A WHOLE LOT DARKER.

Warner Bros

The original Gremlins script, written by Chris Columbus, was much, much darker. Case in point: Earlier scenes included the Gremlins eating Billy’s dog then decapitating his mom and throwing her head down the stairs. Spielberg, director Joe Dante, and Warner Bros. were all in agreement that they should tone down the gore in order to make the movie more family-friendly.

3. CHRIS COLUMBUS DIDN’T WRITE GREMLINS WITH THE IDEA THAT IT WOULD ACTUALLY BE MADE.

He wrote it as a spec script and writing sample. It found its way into the hands of Spielberg, who explained that, “It’s one of the most original things I’ve come across in many years, which is why I bought it.”

4. THE GREMLINS WERE INSPIRED BY MICE THAT INHABITED COLUMBUS’ APARTMENT.

“By day, it was pleasant enough,” Columbus noted of the Manhattan loft that he lived in while attending film school at NYU. “But at night, what sounded like a platoon of mice would come out and to hear them skittering around in the blackness was really creepy.” Those mice inspired the Gremlins.

5. THE SCRIPT DOESN’T INCLUDE MUCH GREMLIN DIALOGUE.

Much of the chatter spoken by Gizmo and the Gremlins is ad libbed, or in reaction to whatever is happening in the scene. Keeping the dialogue loose also allowed the filmmakers to localize the dialogue for the film’s various international markets.

6. HOWIE MANDEL IS THE VOICE OF GIZMO.

Getty Images

It was the suggestion of voice actor Frank Welker, who voiced Stripe in Gremlins (and Fred on Scooby-Doo before that), that Howie Mandel be hired for the role.

7. BUT MANDEL DIDN’T SING “GIZMO’S SONG.”

The song was written by Jerry Goldsmith, who hired a 13-year-old girl who was a member of his synagogue to sing it for the film.

8. MICHAEL WINSLOW HELPED TO VOICE THE GREMLINS.

Getty Images

Yes, this is the same Michael Winslow who is better known as “the guy who makes all those funny noises in the Police Academy film series.”

9. TIM BURTON WAS IN CONTENTION TO DIRECT IT.

Getty Images

There was a lot of buzz surrounding Burton after the success of his short film, Frankenweenie—so much so that Spielberg considered him to direct Gremlins. But the fact that Burton had yet to direct a feature film worked against him, and the gig was given to Joe Dante. A year later, Burton released his first theatrical feature, Pee-Wee’s Big Adventure.

10. SECURITY WAS TIGHT WITH THE GREMLINS.

Getty Images

Because there was no CGI at the time of Gremlins, the creatures were animatronic puppets, each of which took a major chunk out of the film’s budget. Zach Galligan revealed that when leaving the set each night, security personnel asked the cast and crew to open the trunks of their cars to ensure that they hadn’t stolen any of the props.

11. BALLOONS CAME IN HANDY.

Creature creator Chris Walas used balloons in an innovative fashion: they were the secret VFX ingredient when the new Mogwai popped out of Gizmo’s body, and he used a balloon again to explode the Gremlin in the microwave.

12. PHOEBE CATES WAS A CONTROVERSIAL CASTING CHOICE.

Getty Images

Given her sweet demeanor as Kate, it’s hard to imagine that not everyone was on board with casting Cates. But her infamous topless scene in Fast Times at Ridgemont High gave the studio pause about putting her in the lead.

13. CATES’ CHEMISTRY WITH ZACH GALLIGAN WAS WHAT GOT HIM THE ROLE.

Though there were better-known actors like Emilio Estevez and Judd Nelson in contention for the role of Billy, Spielberg cast his vote for Galligan, based on the chemistry he and Cates displayed during auditions.

14. IT’S THE FIRST FILM TO FEATURE THE NOW-ICONIC AMBLIN ENTERTAINMENT LOGO.

By now, Spielberg’s E.T.-themed logo for Amblin Entertainment is familiar to all moviegoers. But Gremlins marked its first on-screen appearance.

15. KINGSTON FALLS AND HILL VALLEY ARE ONE AND THE SAME.

If the fictional town of Kingston Falls in Gremlins looks familiar, that’s because it was filmed on the same set used for the town of Hill Valley in Back to the Future, released a year later.

16. THE FILM WAS ORIGINALLY SCHEDULED FOR A CHRISTMAS RELEASE.

Warner Bros. 

Offbeat as it may be, Gremlins is definitely a Christmas movie, and as such had been planned for release during the Christmas season. But when Warner Bros. realized it didn’t have a “summer movie” to put up against Indiana Jones and the Temple of Doom or Ghostbusters, it moved up the release date. The film performed well and ended up being the fourth highest-grossing film of 1984, behind Beverly Hills Cop, Ghostbusters, and Indiana Jones and the Temple of Doom.

17. KATE’S STORY ABOUT HER FATHER’S DEATH WAS A POLARIZING SCENE.

As a nod to the popular urban legend, Kate tells the story about how her father died while dressed up as Santa Claus and climbing down the chimney. When the rough cut was complete, both Spielberg and the Warner Bros. executives wanted it cut, as it wasn’t clear whether it was meant to be sad or funny. Dante insisted that that’s what made it a perfect metaphor for the film itself, and insisted it be kept in. In Roger Ebert’s three-star review of the film, he singled out this scene in particular, citing her story as being “in the great tradition of 1950s sick jokes.”

18. BILLY WAS SUPPOSED TO BE THE HERO.

At the end of the film, Gizmo saves the day by pulling up a window blind and exposing Stripe to sunlight. Originally, Gizmo lifted the first blind, followed by Billy. Spielberg suggested the scene be edited so that it was clear that it’s Gizmo, not Billy, who is the movie’s hero.

19. GIZMO AND STRIPE WERE THE SAME CREATURE AT ONE TIME.

Warner Bros

It was also at Spielberg’s suggestion that Gizmo’s role in the film grew. Originally, it’s the cute little Mogwai pet himself who transforms into Stripe the Gremlin. But Spielberg knew that audiences would want to see as much of Gizmo as possible, so he withdrew the idea so that they would appear as totally separate characters.

20. THE GREMLINS MAY RISE AGAIN.

Warner Bros

Though Gremlins did spawn a sequel (1990’s Gremlins II: The Next Batch), there’s been much talk in recent years about a reboot of the original. In April 2014, Ain’t It Cool News reported that Warner Bros. had placed the film on the remake fast track.

21. BUT CHRIS COLUMBUS, FOR ONE, DOESN’T SEE HOW A REBOOT WILL WORK.

In a 2012 interview with Screen Rant, Columbus noted: “I think it’s impossible to re-create [Gremlins] in a CGI environment. I think it will inevitably lose some of its charm. Those are edgy Muppets in a sense and you don’t want to lose that sense of anarchy that those gremlins had, because behind the scenes are 25 puppeteers making them to come to life.”


December 25, 2016 – 10:00am

WWI Centennial: Third Christmas at War

filed under: History, war, world-war-i, ww1
Image credit: 

Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 260th installment in the series.

DECEMBER 25, 1916: THIRD CHRISTMAS AT WAR

“The third war-time Christmas … No one talks about peace any more,” wrote Piete Kuhr, a German teenager living in East Prussia, in her diary entry on December 23, 1916. Kuhr gave voice to a bleak realization shared across Europe, as the wracked and bleeding continent limped to the end of one dismal year, and fearfully contemplated another promising to be even worse—although no one could predict just what it held in store.

A few months before, in September 1916, Alois Schnelldorfer, a Bavarian soldier, warned his parents: “I am certain that we have not gone through the worst yet; things will still get worse. Unfortunately, once war has started, it cannot easily be stopped … the war will not end any time soon. It is inevitable that we will have [another] Christmas at war.” On the other side of the battle lines, Hazur Singh, an Indian soldier serving with the British Army in France, prophesied in a letter to his mother dated November 30, 1916: “The war will not be finished for a very long time. It will certainly not be finished before 1918. My regiment will certainly not return.”

AN INSINCERE PEACE OFFER

These grim predictions were confirmed in mid-December 1916, when Germany made a public offer to begin peace negotiations with the Allies, only to have it dismissed out of hand. In fact, Germany had no real intention of following through: the bogus peace proposal was simply meant to sway public opinion at home and abroad, especially in neutral countries, by shifting the blame for continuing hostilities on to the Allies. In truth it was merely a preamble to a brutal new intensification of the German war effort.

The offer of unconditional peace negotiations, sent to the Allies via neutral intermediaries December 12, 1916, was intended in large part for domestic consumption in Germany. After the German Social Democratic Party broke into two factions over the issue of whether to vote the government more war credits in late 1915, the moderate wing (which continued voting credits for the war effort, in contrast to the radical wing led by Karl Liebknecht) demanded evidence that Germany’s leaders were actively working for peace as the price of their continued support.

While hoping to placate the moderate socialists, Chancellor Bethmann Hollweg was coming under mounting pressure from the new military high command, led by chief of the general staff Paul von Hindenburg and his quartermaster general (in fact a close advisor on strategy) Erich Ludendorff, to resume unrestricted submarine warfare, most recently halted following American diplomatic protests prompted by the sinking of the Sussex in March 1916. Encouraged by Admiral von Tirpitz, the creator of Germany’s prewar navy, Hindenburg and Ludendorff believed that the growing fleet of German U-boats could bring Britain to its knees by cutting off access to weapons, food, fuel, and other supplies crucial to the war effort imported from overseas—especially the United States.

To achieve this, however, they demanded that German submarine commanders once again be allowed to sink any and all ships, including unarmed merchantmen carrying neutral flags, without warning. Of course this would once again put Germany on a collision course with the United States, which had twice threatened to break off diplomatic relations (a thinly veiled threat of war) over unrestricted submarine warfare.

The peace offer of December 1916 was Bethmann Hollweg’s last, vain attempt to square the circle. By publicly offering to begin peace negotiations with the Allies—which he knew they would almost certainly refuse—the chancellor hoped to cast the blame for the continuation of the war on the Allies in the eyes of the American public and other neutral nations. Then Germany could claim it had no choice but to resort to extreme measures, including unrestricted submarine warfare, to subdue the warmongers. In other words, the sinking of neutral vessels by German U-boats would really be the fault of the Allies, prompted by their rejection of the German olive branch.

Unfortunately for Germany nobody bought this version of events. The German offer to begin peace negotiations was “unconditional,” meaning that the Central Powers would continue to occupy Belgium, northern France, Poland, and most of the Balkans while the two sides discussed peace terms. As the German leadership well knew, this was a non-starter for the Allies, who stipulated that the Central Powers must withdraw to pre-war borders before peace negotiations could begin (this is to say nothing of conflicting demands by the Allies and Central Powers for reparations and indemnities, which only made a real negotiated peace more improbable).

Following the Allies’ swift rejection of the bogus peace offer, the stage was set for Germany’s ill-fated resumption of U-boat warfare—and with it, America’s entry into the First World War.

END OF THE SOMME AND VERDUN

The close of 1916 also brought the end of two of the bloodiest battles in history: Verdun and the Somme. Both battles had been intended to finish the war, or at least set in motion the events that would do so, but both fell tragically short of this goal. What they accomplished, rather, was simply death on a scale defying comprehension.

At Verdun, Germany’s fruitless attempt to deliver a knockout blow to France, the French suffered 337,231 casualties, including 162,308 dead and missing (with most of the missing also dead, blown out of existence). For their part the Germans counted 337,000 casualties, including 100,000 dead and missing.

The almost even number of casualties is testimony to the abject failure of the plan formulated by the former German chief of the general staff, Erich von Falkenhayn, to lure the French into a battle of attrition—a failure which finally led to his dismissal and replacement by Hindenburg, the hero of Tannenberg. Indeed, one of the first actions taken by Hindenburg and Ludendorff on assuming the high command in September 1916 was the canceling of the Verdun offensive. But they couldn’t prevent the French from launching their own bloody counter-attack, which pushed the Germans back close to their starting positions by December 18, considered the official end of the battle.

Verdun is forever paired with the Somme, the Allied “Big Push” intended to break through the German defensive line in northern France and reopen the war of movement, setting the stage for Germany’s final defeat. The original plan for a massive Anglo-French joint offensive was derailed by the German onslaught at Verdun, which forced the French to withdraw many of their troops to defend the symbolic fortress city. The British bravely carried on with the Somme offensive at the request of the French, desperate to take the pressure off Verdun, but multiple failures in planning and execution resulted in disaster.

After the opening horror of July 1, the Somme quickly devolved into another brutal slugging match in the mud, with tens of thousands of lives sacrificed for gains rarely exceeding a few kilometers at a time. Each subsequent “Big Push” at the Somme was an epic battle in its own right, burning the names of tiny villages into the memory of the British public forever, including Bazentin Ridge, Pozières, Morval and Thiepval Ridge.

The combat debut of tanks at Flers-Courcelette raised British morale and spread terror in the German ranks, but failed to deliver a decisive blow, due to their small numbers and untested tactics.

By the time it ended on November 18, 1916, the Battle of the Somme had cost Britain 420,000 casualties (including many troops from Australia, New Zealand, Canada, India and South Africa; above, Australian troops enjoy Christmas dinner at the Somme), the French 200,000, and the Germans at least 434,000. Altogether over 300,000 soldiers from both sides died at the Somme. The combined death toll of Verdun and the Somme, approaching 600,000, is comparable to all four years of the American Civil War.

ANOTHER WINTER IN THE TRENCHES

The famous Christmas Truce of 1914, and limited local truces during Christmas 1915, apparently weren’t repeated in 1916, although once again there were reports of troops disobeying their officers by attempting to fraternize with the enemy. These isolated incidents suggest that there were still feelings of goodwill across the battle lines—but for the most part any signs of untoward good cheer were nipped in the bud, as this account of a short-lived truce around New Year’s Day from Francis Buckley, a British junior officer, demonstrates. After a few signs of Christmas camaraderie, according to Buckley:

“… on New Year’s Day it went even further. A soldier of the 5th N.F., after signals from the Germans, went out into No Man’s Land and had a drink with a party of them. After this a small party of the enemy approached our trenches without arms and with evidently friendly intentions. But they were warned off and not allowed to enter our trenches. This little affair, I believe, led to the soldier being court-martialled for holding intercourse with the enemy.”

In fact informal ceasefire agreements—without actual fraternization—continued to be a regular feature of trench warfare throughout the year, especially in quiet sectors of the front. But these provided no relief from the basic misery of living in a muddy, flooded ditch. As luck would have it, the winter of 1916 was one of the coldest on record, and across Europe growing shortages of food and fuel were felt both on the home front and in the trenches.

In many places along the Western Front, ice alternated with mud according to the temperature. John Jackson, a British junior officer, wrote of an everyday occurrence on the Somme, where the inescapable mud wasn’t merely uncomfortable, but actually life-threatening:

“… our attention was drawn to two men in a trench we were passing. On examination we found they were both stuck hard and fast in the mud in which they had been standing up to their waists for some hours. They were members of a party who had been relieved about midnight, and now, they had given up hopes of being rescued alive. Their strength was done, and our efforts to haul them out were of no use, until we leaned over the edge of the trench and unbuckled their equipments, and loosened the greatcoats they wore… Just a little further on we found two more fast in the mud, and to these also we gave a helping hand…”

Elsewhere on the Western Front, Louis Barthas, a barrel-maker from southern France, recorded typical conditions as snow alternated with rain in one particularly brutal week of December 1916:

“During these five days the torrential rain and snow never let up. The walls of the trench were sagging; the precarious shelters which men had dug for themselves collapsed in certain places. The trenches filled with water. It’s useless to try to describe the sufferings of the men, without shelter, soaked, pierced with cold, badly fed—no pen could tell their tale. You had to have lived through these hours, these days, these nights, to know how interminable they were in times like these. Proceeding in nightly work details or to and from the front lines, men slipped and fell into shell holes filled with water and weren’t able to climb out; they drowned or froze to death, their hands grasping at the edges of the craters in a final effort to pull themselves out.”

As always, the miserable weather and living conditions were compounded by the other non-human foe of the ordinary soldier—boredom. Henry Jones, a British officer serving in the supply services behind the line, wrote home on November 22, 1916: “It is just a sordid affair of mud, shell-holes, corpses, grime and filth. Even in billets the thing remains intensely dull and uninspiring. One just lives, eats, drinks, sleeps, and all apparently to no purpose. The monotony is excessive.”

Again and again, in letters home soldiers emphasized that it was impossible to fully describe their experiences at the front, frequently adding that their listeners should consider this a blessing. Thus Asim Ullah, an Indian soldier serving in France, wrote home on October 16, 1916:

May God keep your eyes from beholding the state of things here. There are heaps and heaps of dead bodies, the sight of which upsets me. The stench is so overwhelming that one can, with difficulty, endure it for ten or fifteen minutes … God does not show any pity for them in their awful trial. In fact, the state of affairs is such that, on beholding it, one’s power to describe it ebbs away.

Subjected to these indescribable conditions, many men found themselves fundamentally changed, and rarely for the better—another common theme of letters and diary entries. On hearing about a gruesome accident at home, Clifford Wells, a Canadian officer, wrote to a friend on November 5, 1916: “It must have been quite a shock to you when your street-car killed the auto driver. It would have been to me a year ago, but now bloody death is a familiar sight. I am a different man to the one who enlisted in Montreal fourteen months ago. No one can go through the day’s work out here and remain unchanged.”

Similarly, in Erich Maria Remarque’s famous memoir and novel All Quiet On the Western Front, the protagonist Paul finds himself an alien when he goes on leave back home in Germany:

“I imagined leave would be different from this. Indeed, it was different a year ago. It is I of course that have changed in the interval. There lies a gulf between that time and to-day. At that time I still knew nothing about the war, we had only been in quiet sectors. But now I see that I have been crushed without knowing it. I find I do not belong here any more, it is a foreign world.”

Even non-combatants found themselves hardened by the catastrophe still unfolding, which rendered death commonplace, even trivial. On that note the Conde de Ballobar, the Spanish consul in Jerusalem, wrote in his diary on March 27, 1917: “Assuredly everything is evolving and changing in this world: Before, I wasn’t capable of seeing a mouse die, and now, I not only watch typhus victims dying but can hear all about it almost with indifference…”

RISE OF SUPERSTITION AND OCCULT BELIEFS

In this context it’s no surprise that many thoughtful individuals also found themselves questioning long-held religious beliefs. The British diarist Vera Brittain, now working as a nurse, wrote to her brother Edward in May 1916: “… I must admit that when, as I am doing at present, I have to deal with men who have only half a face left & the other side bashed in out of recognition, or part of their skull torn away, or both feet off, or an arm blown off at the shoulder, & all these done only a few days ago, it makes me begin to question the existence of a merciful God …”

Often the undermining of traditional religious beliefs created a spiritual vacuum, which (depending on the individual) might be filled by folk superstitions, or in some cases even occult beliefs. Thus Hanns Bachtold, a Swiss ethnologist, told an audience at the University of Frankfurt on October 30, 1916:

“As the war drags on, the opinions of small religious societies and pseudo-scientific circles are spreading more and more next to the religion represented by the Church … With these new religious communities, some very old ideas and practices that were thought to have been forgotten for a long time resurfaced, mainly caused by the concern about keeping oneself alive. These ideas had held peoples in previous centuries spellbound and were still lying dormant in our people … For these changes mirror exactly all the fear and the misery and the hope that the war has caused in the people’s inner lives …”

Bachtold noted the spread of folks superstitions including protective ointments, shooting spells, protective shirts, and chain letters. In the same vein R. Derby Holmes, an American volunteer serving with the British Army, observed:

“Soldiers are rather prone to superstitions. Relieved of all responsibility and with most of their thinking done for them, they revert surprisingly quick to a state of more or less savage mentality. Perhaps it would be better to call the state childlike. At any rate they accumulate a lot of fool superstitions and hang to them … Practically every soldier carries some kind of mascot or charm. A good many are crucifixes and religious tokens. Some are coins.”

As Holmes’ description indicates, some of the good luck charms were standard religious talismans, widely accepted by Christian believers before the war—but soldiers were increasingly fascinated by ancient symbols associated with the strange occult beliefs circulating before the war (the legacy, in part, of European obscurantist societies concerned with alchemy or other forms of secret knowledge, as well as the spiritualist craze which spread to Europe from the United States and Britain in the nineteenth century).

Often enough occult beliefs went hand in hand with racist ideologies, which asserted the supremacy of white “Aryans” over other races, influenced by the bizarre cosmology fabricated by spiritualists like the Russian medium Helena Petrovna Blavatsky, which included reincarnation, pre-human species of super beings and secret underground cities. Reflecting Blavatsky’s interest in ancient Hindu and Tibetan mysticism, one of the favorite symbols of these marginal but growing groups was the swastika, which stood for the fundamentally cyclical nature of the universe as it passed through multiple phases of cosmic history (the direction of the arms indicating whether the universe was in an ascending or descending stage of evolution).

Influenced by another proponent of occult racism, the Austrian theosophist Guido von List, some German soldiers wore swastika charms into battle, either as a protective amulet or a promise of reincarnation if they were killed. However the use of the swastika wasn’t limited to German soldiers, as it was widely considered an emblem of good luck in Europe and America and employed in personal charms, even when it wasn’t associated with occult beliefs.

See the previous installment or all entries.


December 25, 2016 – 12:00am